超越单一视觉——论全体验在西画中的表达

发布时间：2018-03-25 04:28

本文选题：光学成像　切入点：数码影像技术　出处：《文艺争鸣》2017年06期

【摘要】：正数码影像技术的发展使我们已经习惯于通过镜头的光学成像所带来海量的图像信息来记录生活、了解外界。绘画作为曾经最重要的视觉记录与图像制作手段,显得极为低效,几乎已失去此项功能。中国画由于传统的观察方法和表现程式历来与光学成像有着显见的差异,图像的发展对其影响较弱。而以油画为代表的源自西方传统的绘画(下文称为"西画"),重视科学的透视、解剖、光影研究,
[Abstract]:With the development of positive digital image technology, we have been used to record life and understand the outside world through the massive image information brought by the optical imaging of lens. As the most important means of visual recording and image making, painting is extremely inefficient. This function has almost been lost. Traditional Chinese painting has always had obvious differences from optical imaging because of its traditional methods of observation and presentation. The development of image has a weak influence on it. The painting, represented by oil painting, originates from the traditional western painting (hereinafter called "Western painting"), and attaches importance to the scientific perspective, anatomy, light and shadow research.
【作者单位】：华侨大学建筑学院;
【分类号】：J205

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