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水彩绘画的意象表达

发布时间:2018-03-25 08:33

  本文选题:意象 切入点:抽象 出处:《天津师范大学》2014年硕士论文


【摘要】:本文是对水彩绘画意象表达所作的论述,一开始简要概述水彩的开端、形成与独立、语境的演变过程论述了水彩画作为世界性语言的开端与发展。阐明从水彩的自身语言,意象表达的方式等问题,水彩画在经意与不经意之间,似与不似之间搭建的相互联系,构图的虚实变化以及景外之景,意外之意的内在联系,体现着它的意象之美特性。捋顺中国水彩的发展史的同时,总结了水彩发展的现状以及对发展趋势的判断,力求有深度地阐发个人的观点。
[Abstract]:This paper is a discussion on the image expression of watercolor painting. At the beginning of this paper, the beginning, formation and independence of watercolor painting, the evolution of context, the beginning and development of watercolor painting as a world language are discussed, and the language of watercolor painting is expounded. The problems of image expression, such as the interrelation of watercolor painting between scripture and carelessness, between resemblance and dissimilarity, the change of composition, the outside scene, the inner relation of unexpected meaning, etc. While smoothing the history of the development of Chinese watercolor, this paper summarizes the present situation of watercolor development and the judgment of its development trend, and tries its best to expound one's own viewpoint in depth.
【学位授予单位】:天津师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J215

【参考文献】

相关期刊论文 前3条

1 南国栋;水彩画艺术语言与当代中国水彩画发展[J];集宁师专学报;2002年02期

2 朱建民;当代水彩画的精神和语言探索[J];美术研究;2002年01期

3 黄铁山;;读胡钜湛先生水彩画[J];艺术界;2006年02期



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