“骨法用笔”可否作为中国画发展“某种恒定的价值准则”——与晓君先生商榷

发布时间：2018-03-25 17:46

  本文选题：价值准则　切入点：中国美术　出处：《美术》2017年05期

【摘要】：正去年,我有幸在《美术》第9期上拜读了晓君先生的《"当代性"的困扰与如何确立中国美术可持续发展观》一文,文章体现了晓君先生对中国美术发展的关注和愿望,并用宏观的视野进行了论述和分析,值得大家重视和探讨。但这是一个大命题,并非一篇文章就可以定论的,需要大家共同关注和研究,才能逐步解决。本文正是出于这个目的,与晓君先生商榷。
[Abstract]:Just last year, I had the privilege of reading Mr. Xiaojun's "Contemporary" puzzle and how to establish a sustainable development view of Chinese fine arts in the 9th issue of "Fine Arts", which reflected Mr. Xiaojun's concern and desire for the development of Chinese art. It is worth our attention and discussion. But this is a big proposition, which can not be concluded in a single article. It needs our common attention and research. For this purpose, this paper discusses with Mr. Xiaojun.
【作者单位】： 南京师范大学美术学院;
【分类号】：J212
，

本文编号：1664222