中国当代静物油画中的写意性研究

发布时间：2018-03-29 09:17

本文选题：写意性　切入点：视觉表现　出处：《合肥工业大学》2016年硕士论文

【摘要】：油画艺术是美术领域的一大重要门类,继承和发扬油画艺术,对于美术行业的发展壮大起着重要的推动作用。研究中国当代静物油画中的写意性,不仅可以丰富油画研究的内容,也可以对静物油画在写意性方面的发展做一次系统的梳理,为日后油画发展以及丰富艺术领域具有较大的现实意义。本论文共分为五个章节：第一章节是绪论部分,包括论文的研究背景和目的、内容与意义,以及文献综述等。第二章节分析油画写意性发展的概述以及静物油画在中西方发展溯源。第三章节是论文的核心部分,通过对中国当代静物油画作品进行分类研究,总结出两大论述部分,即视觉表现和精神表现。视觉表现从造型、色彩、空间三个方面进行分析,以夏俊娜、王玉平、吴笛笛等作品为例,结合中国传统写意画中的造型上“以线造型”的方法、色彩上“知黑守白”、“墨分五色”的精髓以及空间上“散点透视”的主观处理来对当代静物油画的继承与发展进行具体分析。精神表现以陈淑霞、戴士和等作品为例,从抽象性和符号性角度出发,通过抽象性来分析舍末求本的写意性绘画本质,通过符号性来分析静物油画中写意性所表现的借物抒情的精神写意。第四章节结合自己的绘画实践分别对静物油画中写意性的视觉表现和精神表现进行探索。视觉探索的表现作品集中在《盆栽》系列和《花卉》系列,精神探索的表现作品集中在《生活》系列、《世象》系列和《老房子》系列。第五章节是对写意性绘画的两个重要方面进行总结,表明了随着社会的发展,静物画题材及绘画方式的不断丰富,使得静物油画的写意性发展更加醇熟。写意已不单单是中国画的范畴,当代的写意性也已有了更广且宽泛的解释,当代静物油画从技法上承接中国传统文化的写意性,在思想上更加能传递当代艺术所体现的“写意”,即创作心中之意。
[Abstract]:Oil painting art is an important category in the field of fine arts. Inheriting and developing oil painting art plays an important role in promoting the development and expansion of the art industry. It can not only enrich the content of oil painting research, but also make a systematic combing of the development of still life oil painting in the aspect of freehand brushwork. This paper is divided into five chapters: the first chapter is the introduction part, including the research background and purpose, content and significance. The second chapter analyzes the development of oil painting freehand brushwork and trace back to the source of the development of still life oil painting in China and the West. The third chapter is the core part of the paper, through the classification of Chinese contemporary still life oil painting works, This paper summarizes two parts of discussion, that is, visual performance and spiritual performance. Visual performance is analyzed from three aspects: modeling, color and space. Taking Xia Junna, Wang Yuping and Wu Desi as examples, Combining the "line modeling" method in Chinese traditional freehand brushwork, In color, the essence of "knowing black and defending white", the essence of "ink divided into five colors" and the subjective treatment of "scattered point perspective" in space are used to concretely analyze the inheritance and development of contemporary still life oil paintings. The spiritual performance is exemplified by Chen Shuxia, Dashihe and other works. From the angle of abstractness and symbolism, this paper analyzes the essence of freehand brushwork by abstractness. The fourth chapter combines with his own painting practice to explore the visual and spiritual performance of freehand brushwork in still life oil painting. The performance works of Chueh-exploring are concentrated in the series of potted plants and flowers. The works of spiritual exploration are concentrated in the series of Life, the World Image and the Old House. The fifth chapter summarizes the two important aspects of freehand brushwork, indicating that with the development of society, The constant enrichment of the subject matter and painting methods of still life painting makes the freehand brushwork of still life oil painting more mature. Freehand brushwork is not only a category of Chinese painting, but also has a broader and broader interpretation of contemporary freehand brushwork. Contemporary still life oil painting inherits the freehand brushwork of Chinese traditional culture from the technique, and conveys the "freehand brushwork" embodied in contemporary art, that is, the creative mind.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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