中国当代油画语境的都市化解读

发布时间：2018-03-30 00:21

本文选题：都市化　切入点：当代都市油画　出处：《华中师范大学》2014年硕士论文

【摘要】：中国油画发展到90年代,创作内容从对农村题材的表达开始被以都市题材为主轴的绘画所替代,都市油画开始出现在我们的视野,这一类油画以社会现实为自己描摹的对象,关注当下都市大众族群的集体生命诉求,创作视角真实多元,不管是对都市生命个体极端矛盾心理的表达；还是对人们居住环境的关注；不管是对都市边缘人群的人文关怀；还是对自身日常生活的真实情感记录；都向我们透露出当代都市艺术家们对社会现实的严肃思考。不管他们所持态度是积极的还是消极的,至少他们都是在用真诚来感受生活、表现生活。本文以都市化语境为立足点,通过对上个世纪90年代以来以表现都市百态为创作主题的油画作品进行归类分析,探究当代都市油画的发展概况,感受都市主题油画对社会现实的深刻剖析。从油画艺术对人文精神的深入表达,探究作为舶来品的油画艺术在中国的本土化的过程。同时,本文又明确地强调了艺术家作为知识分子重要的组成部分所应该承担的社会责任,阐释了我国都市油画发展的历史必然性。它是当代社会主流思想意识的具体体现。中国油画要想取得长足的发展,必须摆脱对西方油画的跟风模仿,注重中国传统思想、中国社会现实与油画艺术的交汇融合,建构中国油画发展的新秩序,让中国油画的发展与中国的时代特征相呼应。
[Abstract]:The development of Chinese oil painting to the 1990s, the creative content from the expression of rural themes began to be replaced by the city as the main theme of painting, urban oil painting began to appear in our field of vision, this kind of oil painting with the social reality as its own object of description. Pay attention to the collective life demands of the present urban masses, and create from a real and diverse perspective, whether it is the expression of extreme contradictory psychology of the individual urban life, the concern about people's living environment, the humanistic care for the urban marginal groups; Or a true emotional record of their daily lives; revealing to us the seriousness of contemporary urban artists' thinking about social realities. Whether their attitudes are positive or negative, at least they are trying to feel life with sincerity. Express one's life. This paper takes the context of urbanization as the foothold, through the classification and analysis of the oil paintings with the theme of expressing a variety of cities since the 1990s, explores the general situation of the development of contemporary urban oil paintings. Feel the deep analysis of the city theme oil painting to the social reality. From the deep expression of the oil painting art to the humanities spirit, probe into the process of localization of the oil painting art as an imported product in China. At the same time, This paper also clearly emphasizes the social responsibility of artists as an important part of intellectuals. This paper expounds the historical inevitability of the development of urban oil painting in China. It is a concrete embodiment of the mainstream ideology of contemporary society. If Chinese oil painting wants to make great progress, it must get rid of the imitation of western oil painting and pay attention to Chinese traditional thought. The fusion of Chinese social reality and oil painting art, the construction of a new order of the development of Chinese oil painting, so that the development of Chinese oil painting and Chinese characteristics of the times.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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