色彩的主观性在风景油画创作中的表现意义

发布时间：2018-03-30 08:20

本文选题：主观性色彩　切入点：客观性色彩　出处：《河北师范大学》2017年硕士论文

【摘要】：色彩是油画创作中的灵魂,在绘画艺术创作中创作者的主观情感和画面中的色彩语言不可分割,对主观性色彩语言的研究是油画理论与实践中的重要课题。在油画发展历程中,色彩语言的研究经历着从客观向主观,由再现到表现的不断演进,这个时期经历了从注重再现生活的古典主义时期、现实主义时期到以注重人的主观感受的印象主义、后印象主义及表现主义时期,主观色彩语言的发展得到了革命性的解放,油画界的绘画大师从开始对大自然的一种模仿到经过对专业知识不断的探索研究,在绘画语言和技能发明和面得到了不断的改进,他们开始不满足于自然本身所持有的色彩魅力,绘画于是逐渐从具象的对客观事物的描摹发展到一种主观的思考与探索,并从一种枯燥单纯描绘自然色彩的形式到敢于打破色彩的局限,将创作者内心的情感作为一种自己独有语言融入创作中,而主观色彩正是创作者对于色彩更深层次的认识,是创作者的主观构建,即把客观世界物象的表象色彩加以主观思索深层次处理而获得与众不同的色彩。我们只有灵活运用绘画语言,用新的技巧向人们展示客观世界和主观精神世界的丰富性,创作者通过自己的理性认识和感性认识,运用主观感受灵活的进行创作,不受客观色彩的束缚,全面的发展自己的色彩语言。本课题通过研究主观色彩的演变历史过程,了解到不同时期的主观色彩语言在油画中的发展意义,并结合几位风景油画大师的作品展开研究,同时笔者通过大量风景写生实践,将我在写生过程中主观色彩带给我的体会与感悟作为最后一部分内容进行自我详述,也正是这段长期的写生训练使我更深刻的认识到油画创作中主观色彩应用的艺术价值,色彩的主观性为油画作品中追求绘画色彩关系独立美起到重要的指导作用。油画的未来发展趋势应是紧扣时代步伐,立足民族之林,如何去把控主观情感带给我们创作时的不同体验,如何利用这种情感更好的结合我们所熟悉的生活、发展的时代,创作出感人的优秀作品,这值得我们未来继续更深的探讨与研究。
[Abstract]:Color is the soul of oil painting creation. In painting art creation, the subjective emotion of the creator and the color language in the picture are inseparable. The study of the subjective color language is an important subject in the oil painting theory and practice. The study of color language has experienced a continuous evolution from objective to subjective, from reappearance to expression. This period has experienced a period of classicism, realism and impressionism with emphasis on subjective feelings of human beings. During the period of post-impressionism and expressionism, the development of subjective color language was revolutionized. The invention and surface of painting language and skills have been continuously improved, they are not satisfied with the color charm of nature itself, and the painting has gradually developed from the description of objective things in concrete to a subjective thinking and exploration. And from a kind of boring and simple description of natural color form to dare to break the limitation of color, the inner emotion of the creator is integrated into the creation as his own unique language, and subjective color is the creator's deeper understanding of color. It is the subjective construction of the creator, that is, the subjective processing of the color of the object of the objective world through subjective thinking and deep thinking, so as to obtain the distinctive color. We can only use the language of painting flexibly. Using new techniques to show people the richness of the objective world and the subjective spiritual world, the creators, through their own rational and perceptual knowledge, use their subjective feelings to create flexibly, without being bound by the objective color. Through the study of the historical process of subjective color evolution, we understand the development significance of subjective color language in oil painting in different periods, and combine with the works of several masters of landscape oil painting to carry out research. At the same time, the author through a large number of landscape sketching practice, I am in the process of painting the subjective color brought to me as the last part of the experience and feelings for self-elaboration, It is this long period of sketching training that has made me more deeply aware of the artistic value of the application of subjective colors in oil painting. The subjectivity of color plays an important role in guiding the pursuit of the independent beauty of color relationship in oil paintings. How to bring control of subjective feelings to different experiences when we create, how to make better use of this kind of emotion to combine our familiar life, the development of the times, and to create moving and excellent works, This is worth our further exploration and research in the future.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

【相似文献】