当代都市工笔画的时代性研究

发布时间：2018-03-31 20:32

本文选题：工笔画　切入点：都市　出处：《东华大学》2014年硕士论文

【摘要】：中国工笔画从两汉发展到唐宋时期,一直都是社会主流的艺术形式,在中国绘画史上占有举足轻重的地位,唐宋更是一个难以超越的历史巅峰,自元代之后则呈现出衰落的态势。改革开放以来,特别是进入新世纪以后,中国工笔画又再次进入全面复兴的时期。工笔画的发展曲线始终与每个时代生产力水平以及先进性保持着高度一致,生产力的发展水平及先进性是决定工笔画发展进程的根本要素。当代都市工笔画的创作和发展的复兴同样是生产力发展的结果。是对当今社会文明进步、都市繁荣的艺术再现,是艺术家们对都市生活的体悟、感想和凝练。在多元文化、信息科技时代的现代中国都市,商品经济高度发达并快速发展,来自第三产业的非物质类精神消费品占据了越来越显著的位置。都市主流消费文化在很大程度上引领都市工笔画创作的方向,同时优秀艺术家对都市审美消费文化的提炼与表达又促进了都市审美认知的进步。本文运用马克思唯物主义历史观对当代都市工笔画的创作进行分析。以史为鉴,找出工笔画创作及发展的历史性规律,并提炼出工笔画四个主要属性作为验证点,证明该规律的正确性。然后基于此规律,分析当代都市工笔画创作的时代背景及重要的影响因素,揭示当代都市工笔画创作的主要矛盾和历史使命,为当代都市工笔画创作提供有意义的线索。本文特别强调了处于信息科技时代的当下,审美与艺术已经成为了社会的直接生产力,作为精神产品的文化艺术已经产生了巨大的商品价值。在此背景下,个人会不断增加艺术产品或具有艺术附加值的产品消费,而政府也会不断加强对城市公共艺术领域的投入以激发整个社会的潜在生产力。当然,在强调工笔画历史发展的客观要素和规律的基础之上,同样也要肯定杰出画家在工笔画发展史上的推动和促进作用,正是历代著名画家的杰出贡献,才能让中国古代工笔画在世界艺术史上独领风骚,成为世界文化宝库中一颗璀璨的明珠。
[Abstract]:From the Han Dynasty to the Tang and Song dynasties, Chinese fine brushwork has always been the mainstream art form of the society. It plays an important role in the history of Chinese painting, and the Tang and Song dynasties are the peak of history which is difficult to surmount.Since the Yuan Dynasty, there has been a trend of decline.Since the reform and opening up, especially after entering the new century, China's fine brushwork has once again entered the period of overall revival.The development curve of fine brushwork is always consistent with the level of productivity and progressiveness of each era, and the development level and advancement of productivity is the basic factor to determine the development process of fine brush painting.The creation and development of contemporary urban meticulous painting is also the result of the development of productive forces.It is the artistic reproduction of the civilization and prosperity of the modern society, and the understanding, feeling and conciseness of the artists to the urban life.In the modern city of China in the age of multi-culture and information technology, the commodity economy is highly developed and rapidly developed, and the non-material spiritual consumer goods from the tertiary industry occupy a more and more prominent position.To a large extent, the mainstream consumption culture of the city leads the direction of the creation of urban fine brushwork, and the refinement and expression of the urban aesthetic consumption culture by the excellent artists also promote the progress of the urban aesthetic cognition.This paper uses Marxist historical materialism to analyze the creation of contemporary urban fine brushwork.Taking history as a mirror, this paper finds out the historical law of the creation and development of fine brushwork, and extracts the four main attributes of fine brushwork as the verification point to prove the correctness of the rule.Then, based on this rule, this paper analyzes the background of contemporary urban meticulous brushwork creation and important influencing factors, reveals the main contradiction and historical mission of contemporary urban meticulous brushwork creation, and provides meaningful clues for contemporary urban meticulous brushwork creation.This paper especially emphasizes that in the information technology era, aesthetics and art have become the direct productive force of the society, and the culture and art, as spiritual products, have already produced enormous commodity value.In this context, individuals will continue to increase the consumption of art products or products with added value of art, and the government will continue to strengthen investment in the field of urban public art in order to stimulate the potential productivity of the whole society.In order to make Chinese ancient fine brushwork unique in the world art history, become a bright pearl in the treasure house of world culture.
【学位授予单位】：东华大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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