八大山人花鸟画的虚实关系研究

发布时间：2018-03-31 21:29

本文选题：八大山人　切入点：花鸟画　出处：《浙江理工大学》2015年硕士论文

【摘要】：八大山人,明末清初著名画家,尤善花鸟。他将时代变化和内心情感淋漓尽致的表现在作品中,形成了中国写意花鸟画的新风格,对后世写意花鸟画的发展产生了深远的影响。特殊的时代背景和非同寻常的人生经历造就了八大山人矛盾的心理,成就了他独特的绘画语言。中国绘画的虚实观源自中国传统哲学“有无”、“虚实”等对立统一的理念。八大山人特殊的人生经历使得他真切体会儒释道的思想,三种不同的思想在他身体和心灵中相互碰撞、相互融合。中国哲学的“虚实”观深深影响到八大山人绘画的表现,使得他的作品有一种让人捉摸不定的神秘色彩。八大山人通过虚实的表现手法,运用简练的笔墨、凝练的线条、夸张的造型、奇特的构图传达出矛盾的心理变化以及不同时期的精神状态。本文共分为四个章节。第一章为八大山人绘画风格的形成。通过对八大山人精神世界和艺术传承两个方面来论述八大山人绘画风格形成的原因。第二章为中国哲学的“虚实”观对八大山人的影响。分别从太极阴阳变化、儒释道对“虚实”理解的异同出发,论述八大山人哲学思想里的“虚实”理念。第三章为形式语言的虚实之美。由具体的绘画作品出发,分别从经营位置、布白以及笔墨的运用三个方面来论述八大山人绘画作品中的虚实之美。第四章为形神相依。通过对八大山人绘画作品中具体造型的分析来论述物象表现和精神传达之间的联系。本文的重点是从中国传统哲学的“虚实”观入手,运用画学“虚实”的理念,分析八大山人花鸟画中所蕴含的哲学思想和画家思想感情表达的方式,融通中国画学“虚实”理念和绘画作品之间的联系。
[Abstract]:The eight great mountain people, a famous painter in the late Ming and early Qing dynasties, were especially good at flowers and birds. He embodied the changes of the times and the inner feelings in his works, and formed a new style of Chinese freehand brushwork of flower-and-bird paintings. It has had a profound influence on the development of freehand brushwork of later generations. The special background of the times and extraordinary life experience have created the ambivalent psychology of the eight mountain people. His unique painting language has been achieved. The concept of the truth and reality of Chinese painting originates from the concept of unity of opposites in traditional Chinese philosophy, such as "existence or not" and "vanity and reality". The special life experiences of the eight great mountain people make him truly understand the thoughts of Confucianism and Buddhism, The three different thoughts collided with each other in his body and mind. It makes his works have a mysterious color. The eight great mountain people use concise strokes, condensed lines, and exaggerated shapes through fictitious expression. This paper is divided into four chapters. The first chapter is the formation of the painting style of the eight great mountain people. Through the spiritual world and art inheritance of the eight great mountain people. The second chapter is the influence of the concept of "deficiency and reality" of Chinese philosophy on the eight great mountain people. On the basis of the similarities and differences between Confucianism, Buddhism and Taoism on the understanding of "the void and the reality", this paper discusses the concept of "the truth and the reality" in the philosophy thought of the eight great mountain people. Chapter three is the beauty of the form language, starting from the concrete painting works, starting from the management position, respectively. The paper discusses the beauty of the truth and reality in the painting works of the eight great mountain people from three aspects of cloth white and the use of pen and ink. The fourth chapter is the dependence of form and spirit. Through the analysis of the concrete modeling in the painting works of the eight great mountain people, this paper discusses the manifestation of objects and the spiritual transmission. The key point of this paper is to start with the "virtual reality" view of Chinese traditional philosophy. By using the concept of "vanity and reality" in painting theory, this paper analyzes the way of expressing the philosophy thought and the artist's thought and emotion contained in the flower and bird painting of the eight great mountain people, and combines the relationship between the "virtual reality" concept of Chinese painting and the painting works.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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