梁平木版年画的纹样在现代书籍装帧设计中的应用研究

发布时间：2018-03-31 22:23

本文选题：梁平木版年画　切入点：书籍装帧设计　出处：《重庆师范大学》2014年硕士论文

【摘要】：二十一世纪以来，我国社会一直呈多元化发展的态势。在这个充满变化的年代，我国的传统文化必将面临更多外来文化的波及和影响。各种强势外来文化的影响下，只有依靠中国本土传统文化的强烈表达，才能使中华文明一步一步迈向世界文化的舞台；只有让中国的民族精神意识在本土人民心中强化并发扬光大，才有机会使中华民族强大崛起，乃至在世界历史的舞台上屹立不倒。梁平木版年画作为中国民间美术重要的组成部分之一，其中凝聚了勤劳的梁平人对艺术的崇高追求和对生活的美好向往。但日益更迭的科学技术与思维方式的影响，使梁平木版年画的独特艺术形式正在慢慢被淡忘被忽视，而这一珍贵的民间艺术瑰宝的生存状况也着实让人担忧。时代在发展，，现代书籍装帧设计正以其独特的视角与展现方式活跃在世界艺术大舞台上。由此想到可以试用其特有的艺术形态与展现方式为梁平木版年画的生存与发展作出些许积极的贡献。无论是从艺术特色或是文化内涵上来讲，梁平木版年画的价值都是不可小觑的。古雅厚重的造型特征、鲜明艳丽的用色风格、饱满丰盈的版面布局以及喜闻乐见的作品题材，其展现出来的凝重、纯粹、浑厚与沉着的独特视觉语言，是与生俱来、浑然天成的。本课题旨在以梁平木版年画作为主要研究内容，搜集整理现存的文字图像资料，从美学、艺术设计学的角度出发，了解其历史背景、艺术特色与文化内涵等，并加以分析，试图寻找其外表下蕴藏的深厚文化内涵与浓郁的乡音韵律，从中发掘并整理梁平木版年画这一传统民间艺术中所蕴藏的新的视觉符号。将提炼出的诸要素与现代艺术观念和相关设计法则相结合，并运用试验的形式将梁平木版年画的传统纹样运用到现代书籍装帧设计之中，分析探讨这种生机勃勃、浑然天成的民族民间艺术语言在现代书籍装帧设计之中运用的延续性。本课题的研究一共分为五个章节进行阐述：第一部分为绪论，主要是简单介绍本课题的研究背景、研究路径及研究方法，为之后论文的撰写作好铺垫；第二章，一是阐述梁平木版年画的基本情况，主要从其发生背景、艺术特色、工艺与品种以及文化意义四个方面分别进行介绍说明，二是阐述梁平木版年画与现代书籍装帧设计的契合点，以及相关案例的简要分析；第三章为本文重点部分，通过上一章的分析总结来制定之后的设计计划，先提出前期构想，再寻找语言转换路径，之后是设计的实施与对设计的反思；第四章是探讨将梁平木版年画在书籍装帧设计中运用的展望，主要是从梁平木版年画在现代书籍设计中运用的价值及其对现代书籍装帧设计的积极作用等方面展开阐述；最后是结合实际情况，展望本次课题的后续发展与研究的空间。
[Abstract]:Since 21 century, our country society has been showing the trend of pluralistic development.In this changing age, the traditional culture of our country is bound to face the spread and influence of more foreign culture.Under the influence of various strong foreign cultures, only by relying on the strong expression of Chinese traditional culture, can Chinese civilization step by step to the stage of world culture;Only if the national spirit consciousness of China be strengthened and carried forward in the hearts of the local people, can we have the opportunity to make the Chinese nation strong and rise up, and even stand erect on the stage of world history.As one of the important parts of Chinese folk art, Liangping woodblock New year painting condenses the diligent Liangping people's lofty pursuit of art and their yearning for good life.But the influence of the changing science and technology and the way of thinking makes the unique art form of Liangping wooden New year painting gradually forgotten and ignored, and the living condition of this precious folk art treasure is also very worrying.With the development of the times, modern book binding design is active on the world art stage with its unique visual angle and way of display.Therefore, it is possible to use its unique artistic form and display way to make some positive contributions to the survival and development of Liangping woodcut New year Pictures.Whether in terms of artistic features or cultural connotations, the value of Liangping woodblock paintings can not be underestimated.The elegant and heavy modeling features, bright and beautiful color style, plump layout of the layout and popular themes of the works, its show out of the dignified, pure, thick and calm unique visual language, is born,It's a natural thing.The purpose of this subject is to collect and sort out the existing text and image data, to understand its historical background, artistic characteristics and cultural connotations from the angle of aesthetics and art design, and to analyze it.This paper tries to find out the deep cultural connotation and the strong rhythm of the local sound under its appearance, and to explore and sort out the new visual symbols contained in the traditional folk art of Liangping woodcut New year's Picture.Combining the extracted elements with modern artistic concepts and relevant design principles, and applying the traditional patterns of Liangping woodplate New year paintings to the design of modern book binding by means of experiments, this paper analyzes and discusses this kind of vitality.The continuity of the natural language of folk art in the design of modern book binding.The research of this topic is divided into five chapters: the first part is the introduction, mainly introduces the research background, research path and research method of this topic, which will pave the way for the later writing of the paper.The first is to explain the basic situation of Liangping woodplate New year painting, mainly from its background, artistic characteristics, craft and variety, and cultural significance, respectively.The second is to expound the joint point of Liangping woodcut New year painting and modern book binding design, as well as the brief analysis of relevant cases; the third chapter is the key part of this paper, through the analysis and summary of the previous chapter to draw up the design plan, first put forward the early ideas.The fourth chapter is to explore the application of Liangping wood-plate New year painting in the design of books binding design prospects, after the implementation of the implementation of the design and reflection on the design, the fourth chapter is to explore the application of the Liangping woodplate New year painting in the design of book binding.It mainly expounds the value of the application of Liangping woodcut New year painting in the design of modern books and its positive effect on the design of modern book binding. Finally, it looks forward to the future development and research space of this subject in combination with the actual situation.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J524;J217

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