时间的哲学——论漆跃辉的绘画艺术

发布时间：2018-04-01 05:32

本文选题：春溪　切入点：重拙　出处：《美术》2016年10期

【摘要】：正走进博物馆,看见展台上斑驳陆离的青铜钟鼎时,我们总会震撼于那狞厉的线条,厚重拙朴的造型,以及它穿越历史带来的残缺与倦怠之美。或者在宗教洞窟里,端庄威仪的造型渗透出神圣肃穆气氛,先前厚重均匀的敷彩被极端氧化,黢黑如古潭顽石之沉淀,浅淡似春溪倒影之摇曳,鲜艳明快的色调被历史洗涤,穿越千年的形象经岁月蚕食,幽暗残缺的画面直抵内心深处,让你立刻想起历史、精神、沧桑、生存、悲剧等最具精神性的词
[Abstract]:Entering the museum, see booth variegated bronze tripods, we are always shocked by the ferocious lines, heavy graphics modeling, and it brings through the history of the United States. The incomplete and burnout in religion or in a cave, dignified imposing other holy and solemn atmosphere in penetration, previously even apply color is thick extreme deep oxidation, such as precipitation of Ancient Stone Lake, like a pale reflection of the swaying Spring Creek, bright bright colors by the history of washing through the image through the years at a dark picture to the incomplete heart, let you immediately think of history, the spirit, the vicissitudes of life, survival, the tragedy of the most spiritual word

【作者单位】：湖南文理学院美术学院;
【分类号】：J212

【相似文献】