论林风眠绘画中线条的类型分析及审美特点
发布时间:2018-04-01 23:39
本文选题:林风眠 切入点:线条 出处:《曲阜师范大学》2013年硕士论文
【摘要】:林风眠把线看成是绘画的生命,他非常的看重线条的运用,在他的绘画中线条都是经过深思熟虑后画出的,而且画面中不会有任何多余的线条。林风眠对线条有十分深刻的研究,为以后的绘画打下了坚实的基础。在林风眠的绘画作品中,不管是流畅的线条对衣服轻飘质感的描绘,还是简洁、准确的线条对女性柔美的裸女描绘,还是迅疾、简练的线条对禽鸟鱼的描绘都可以看出他深厚的线条功底。他吸取了中传统绘画、民间艺术、西方绘画中线的营养,最终形成自己的用线特点。在本论文中以林风眠绘画中的线条为研究对象,以分析林风眠绘画中的线条的类型及在他绘画中线条的审美意蕴作为本论文的研究重点,,主要是对林风眠的绘画作品中的线条来进行分析。论文共分为三个大的部分,首先第一章是针对林风眠绘画中的线条的来源,通过林风眠作品中线条的体现来看,主要有三个:传统绘画、民间瓷绘以及马蒂斯的影响;在第二章中是把林风眠绘画中线进行类型分析,通过林风眠的作品分析将线条分为三个类型:流畅的线条、迅疾的线条、简练的线条;第三章是林风眠绘画中线条的审美特点,通过列举林风眠的绘画作品来分析音乐性、情感性、现代性这三个审美特点的体现;最后为结语,通过对林风眠绘画中线条的分析及其审美意蕴的深入探讨,我们可以看出林风眠绘画中的线是中国现代美术史上的一笔财富,对绘画本体的深入认识提供了借鉴的资源。 本课题主要通过著作参照法、文献参考法、理论研究法、比较分析法、历史调研法、作品分析法、理论联系实际等一系列研究方法进行研究。
[Abstract]:Lin Fengmian regards the line as the life of painting. He attaches great importance to the use of the line. In his painting, the line is drawn after careful consideration, and there will not be any extra lines in the picture.Lin Fengmian has a very deep research on lines, which laid a solid foundation for later painting.In Lin Fengmian's paintings, whether it is a smooth line depicting the light floating texture of a garment, or a concise, accurate line depicting a feminine naked woman, or being swift,The description of birds and fish by concise lines can see his deep line.He absorbed the nutrition of Chinese traditional painting, folk art and western painting, and finally formed his own characteristics.In this paper, the lines in Lin Fengmian's paintings are taken as the research object, and the analysis of the types of lines in Lin Fengmian's paintings and the aesthetic implication of the lines in his paintings are taken as the focus of this thesis.Mainly to Lin Fengmian's painting works in the line to carry on the analysis.The thesis is divided into three parts. The first chapter aims at the origin of the lines in Lin Fengmian's paintings. Through the embodiment of the lines in Lin Fengmian's works, there are mainly three aspects: traditional painting, folk porcelain painting and the influence of Matisse;In the second chapter, the middle line of Lin Fengmian painting is analyzed. Through the analysis of Lin Fengmian's works, the lines are divided into three types: smooth lines, swift lines, concise lines, and the third chapter is the aesthetic characteristics of the lines in Lin Fengmian's paintings.By enumerating Lin Fengmian's painting works to analyze the three aesthetic characteristics of musicality, emotion and modernity, the last part is the conclusion, through the analysis of the lines in Lin Fengmian's painting and the deep discussion of its aesthetic implication,We can see that the line in Lin Fengmian's painting is a wealth in the history of modern Chinese art.This topic mainly through the work reference method, the literature reference method, the theory research method, the comparative analysis method, the historical investigation method, the work analysis method, the theory unifies the practice and so on a series of research methods carries on the research.
【学位授予单位】:曲阜师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J205
【参考文献】
相关硕士学位论文 前1条
1 刘媛洁;林风眠彩墨艺术作品的情感与形式研究[D];西安美术学院;2007年
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