对妥木斯绘画创作题材的思考与研究

发布时间：2018-04-02 04:28

本文选题：少数民族油画　切入点：蒙古族油画　出处：《吉林艺术学院》2013年硕士论文

【摘要】：少数民族油画是我国民族艺术的重要组成部分，少数民族的文化艺术，，在近些年来被称为原生态的艺术，它有着与大自然的亲密关系以及热情，豪放的民族性格。内蒙古民族油画的发展由来已久，绘画主题大多是扎根于土壤，对风景的赞誉和对人们劳作的描绘，形式方面，苏联的写实主义油画的造型严谨，描绘细致，技法娴熟，成为这一时期蒙古族油画的总体特征。对造型规律的把握，对造型体系的深入了解以及对油画技法的掌握起到了积极的作用，蒙古民族油画也因此进一步走向成熟。当代的蒙古族绘画从技法上产生了较大的改变，从原来的苏联模式到现在的加入中国情结的表现方式，使之加深了民族特色。本文从具象写实，具象表现到抽象表现，这三种表现方式在具体叙述蒙古族油画的发展进程，并具体论述抽象表现这种表现方式的民族特色。当代艺术的观念给了我们新到的机遇和新的切入点，让蒙古族油画创作在当下现实生活中既是民族的又渗透着当代性，是真实的宝贵的创作来源。
[Abstract]:Oil painting of ethnic minorities is an important part of national art in our country. In recent years, the culture and art of ethnic minorities is called the art of original ecology. It has a close relationship with nature, enthusiasm and bold national character.The development of national oil painting in Inner Mongolia has a long history. The painting themes are mostly rooted in the soil, praise the scenery and portray people laboriously. In form, the Soviet realistic oil paintings are meticulous, meticulous and skillful.It has become the general characteristic of Mongolian oil painting in this period.The understanding of the modeling law, the deep understanding of the modeling system and the mastery of the oil painting techniques have played a positive role. Therefore, Mongolian national oil painting has further matured.Contemporary Mongolian painting has produced great changes in techniques, from the original Soviet model to the present way of expression of joining Chinese complex, which has deepened the national characteristics.This paper describes the development process of Mongolian oil painting in detail, and discusses the national characteristics of abstract expression of this kind of expression.The concept of contemporary art has given us a new opportunity and a new entry point, so that Mongolian oil painting creation in the real life is both national and contemporary, is the real and valuable source of creation.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】