对中国写意花鸟画的笔墨研究

发布时间：2018-04-03 00:23

本文选题：写意花鸟画　切入点：笔墨　出处：《哈尔滨师范大学》2014年硕士论文

【摘要】：在中国画的范畴内，花鸟画是其重要学科之一，它以表现花卉和禽鸟为主。花鸟画的应用范围很广，可以说在中国画中除人物画、山水画之外的题材，都可以归为花鸟画，而写意花鸟画在花鸟画中占有举足轻重的地位。在历史的长河中，写意花鸟画不断发展，不断创新，它明确的题材和鲜明的艺术风格自立于艺术之林，成为艺术宝库中震古烁今的明珠。笔墨作为复合概念，可以析为笔法和墨法。在写意花鸟画中，以线造型是最基本的特征，所以，其中的用笔之法尤其重要。用笔之法分为中锋、侧锋、逆锋、拖笔等，这些不同的用笔方法，通过画家运笔时的提按、顿挫、疾缓、绞转等笔法变化，还可以转化出有粗有细、刚柔并进、曲直不同的线条，这些各种不同的线条，可以使观赏者产生不同的感情共鸣，所以，可以说写意花鸟画中的的线条，是有情感的且可以呼唱出某种“腔调”的传达作者情感、运载作者情感的载体。写意花鸟画作品的价值，取决于其笔墨艺术独到鲜明的表现技法与笔墨艺术形式的统一。因此写意花鸟画笔墨创新问题应存在着两个层次的认识；其一是以“表现技法”为认识笔墨的基础；其二是以能表达精神层面的意境、情趣、理趣等的“笔墨表现形式”为认识笔墨的基础。只有同时把握这两种对笔墨不同层次的认识，才能从根本上解决写意花鸟画笔墨创新的问题，并将其传承下去。
[Abstract]:In the category of Chinese painting, flower and bird painting is one of its important disciplines, it mainly expresses flowers and birds.The application scope of flower and bird painting is very wide, it can be said that the subject matter except figure painting and landscape painting in traditional Chinese painting can be classified as flower and bird painting, and freehand brushwork flower and bird painting plays an important role in flower and bird painting.In the long river of history, freehand brushwork flower-and-bird painting is constantly developing and innovating. Its clear theme and distinctive artistic style stand on the forest of art and become the bright pearl of the ancient and the present in the art treasure-house.As a compound concept, pen and ink can be divided into brushwork and ink.In freehand brushwork flower-and-bird painting, line modeling is the most basic feature, so the method of using pen is especially important.The method of using a pen can be divided into three types: the center front, the side front, the inverse front, the towing pen, and so on. These different methods of using the pen can be transformed into thick and thin, rigid and flexible, through the changes in stroke techniques such as the lifting of the pen, the cadence, the slow, the twisting, and so on, when the painter moves the pen.Different lines, these different lines, can make the viewer have different emotional resonance, so, it can be said that the lines in freehand brushwork are emotional and can call out some "tone" to convey the feelings of the author.A carrier of the author's feelings.The value of freehand flower-and-bird painting depends on the unity of its unique expressive techniques and art forms.Therefore, there should be two levels of cognition on the innovation of freehand brushwork in flower-and-bird painting; one is based on "expressive techniques"; the other is based on the ability to express the artistic conception of spiritual level.The form of expression of pen and ink, such as interest, is the basis of understanding ink and pen.Only by grasping these two different levels of understanding, can we fundamentally solve the problem of freehand brushwork and bird painting innovation, and pass it down.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】