单纯的修行—丁乙“十”字图形创作研究

发布时间：2018-04-03 19:04

本文选题：丁乙　切入点：单纯　出处：《华中师范大学》2014年硕士论文

【摘要】：丁乙作为中国的一位抽象艺术家,“85新潮运动”的先驱艺术家,上世纪80年代中期在上海和北京等城市被关注。从80年代中期到至今无论是在材料上怎么变化,不变的是他一直在画“十”字。每一张画都是众多十字的组合,每一张画似乎完成了众多的十字。但是,每一幅完成的画似乎还意味着,还有更多的十字没有完成,还有更多的十字将要出现在下一幅画上。那丁乙这二十六年来一直重复十字的意义何在?当观者置于丁乙作品面前时,不免心里会产生这样的疑惑。我们习惯于去思考艺术家在作品中所包含的含义,可相反,我认为丁乙绘画的目的不是让观者去读画,这在他的“宣言”时期是能够感受到的。我觉得在每一个艺术家寻找最恰当表达自己的艺术语言之前,他都是在不断的吸取先辈和同仁的营养,同时又要努力去摆脱和超越这种成就了他的艺术载体。丁乙的这种抛开传统绘画影响的努力,就像蒙德里安怀着对毕加索的敬仰来到巴黎钻研立体派,但却被毕加索、布拉科在塑造立体图像中极力摆脱画面中出现的抽象线条和平面感所吸引。蒙德里安无疑是对丁乙有着重大影响的艺术家,“十”字的运用和第一幅“十”字作品里色块的组合,都带着明显的对蒙德里安的敬仰。但很快,丁乙画面的十字开始向复杂化和个性化发展,蒙德里安式的安静平板的画面渐渐被一种由格子和“十”字细微的变化给画面带来的运动感、流动性取代。丁乙也许没有察觉到,在“十”字上一耕耘就是二十六年,他的单纯和坚持打动了我,他的这条漫长的创作道路就如同一个人的修行打坐,拨弄着念珠,在其中净化自己的心灵。我认为丁乙也的确沉浸在他“十”字的修行中。然而丁乙的“十”字也必然会继续下去,也将出现越来越多的不可预知的变化,就像他自己的戏语“我已经陷的很深了...”。我主要分为四章个部分来分析丁乙在他“十”字图形创作：第一章：主要是对十字图形创作溯源的简述。从事玩具包装和设计工作队丁乙的影响。“十”字符号的首次出现和第一次展出,以及影响丁乙走上“十”字道路的艺术家。1988年“十”字第一次展出,引出丁乙的“宣言”时期。第二章：描述丁乙躬身力行的徒手作画,强调徒手作画的单纯。简单符号的重复和技法的平面化和直接性,徒手作画与不断的重复,引出丁乙用笔触来重复“十”字作画如同修行。第三章：丁乙在“十"字符号创作中对材料和技法上新的尝试,不管是什么材料,“十"字总是在不用的材料重复着,随着城市化的节奏越来越快,丁乙通过“十”字符号来表达城市化的速度,用荧光色来表现城市的灯红酒绿。在单纯中去追求改变,也是一种自我过滤。第四章：用宗教般毅力这个视点来对丁乙对“十”字图形的追求的执着进行解读,“十”字图形也会以看似没有意义的方式继续下去。
[Abstract]:As an abstract artist in China , the pioneer artist of the " 85 new tide " has been paid attention in cities such as Shanghai and Beijing in the mid - 1980s . It seems that he has been painting " X " in the middle of the 1980 ' s . It seems to me that the purpose of Ding B ' s painting is not to let a visitor read the painting . But in the past twenty years , he has been trying to get rid of the abstract lines and planes that appear in the picture . " I am mainly divided into four chapters to analyze Ding B ' s " X " graphic creation :

Chapter One : A brief description of the origin of the cross graphic creation . The first appearance and the first exhibit of the " X " characters and the first exhibit of the " X " characters , as well as the artist who influenced Ding B to " ten " characters . The first display of the " X X " in 1988 , led to the period of " Declaration " of Dingyi .

In the second chapter , the paper describes the hands - on drawing of Ding - yi ' s work , emphasizes the simple symbol ' s repetition and the direct nature of the technique , and the painting and the repeated repetition of the hand , and the drawing of the " X " character is repeated with the pen touch .

Chapter 3 : Ding - yi ' s new attempt on materials and techniques in the " X " sign creation , no matter what material , the " X " word is always repeated in the unused material . With the rapid pace of urbanization , Dingyi expresses the speed of urbanization through the " X " character symbol , uses the fluorescent color to express the city ' s red wine green . In the simple only seek change , is also a self - filtration .

Chapter 4 : To interpret Ding B ' s pursuit of " ten " characters by means of religious persistence , the " X " character pattern will continue in a seemingly meaningless manner .

【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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