画是“写”出来的——邱正伦书画的“符号”表达

发布时间：2018-04-05 00:36

本文选题：邱正伦　切入点：传统文人画　出处：《美术观察》2017年02期

【摘要】：正中国书画向来以禅境为神品,无论是传统文人画还是当代文人画,相关作品都致力于表现作者的喜怒哀乐、人生情怀以及自己对生活的思考,是作者主观意愿通过笔墨纸砚的客观表达,所谓"察其书、知其性、观其画、知其人"。这就需要审美主体具有相应的人文素养和一定的中国文化知识的积淀,如此,方能体味作者创作时的心境,也才能享受书j砸i带给人的审美快感,使人与之同喜、同悲、同悟。但对于绝
[Abstract]:It has always been to Chinese calligraphy Zen as kamijina, whether traditional or contemporary literati painting, literati painting, related works are devoted to the expression of the author's life and the feelings of the passions, his thoughts on life, is the author of subjective intention through objective expression of ink, the so-called "the book, know, the concept of painting know, man. This requires aesthetic subjects have corresponding humanistic and certain Chinese cultural knowledge accumulation, so, we can appreciate the author's mood, also can enjoy the book J hit I to bring people aesthetic pleasure, people with joy, compassion, and understanding. But for the vast

【作者单位】：重庆邮电大学传媒艺术学院;
【分类号】：J212

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