当代新疆少数民族油画作品的研究

发布时间：2018-04-09 06:18

本文选题：新疆　切入点：油画作品　出处：《东北师范大学》2017年硕士论文

【摘要】：新疆,作为我国区域文化中极具文化特色的地区之一,全疆有四十七个民族共同生活,民族的多样性和丰富性促成了新疆地区极为丰富的美术文化和稳定的艺术审美特征。新疆的油画艺术是从建国后正式开始的,上个世纪的七十年代末进入了快速发展的阶段,涌现出一大批优秀的油画艺术家,哈孜·艾买提、努尔买买提以及卓然木·雅森等等,这些艺术家为全疆乃至全国贡献出了大批的优秀艺术作品。随着当代的文化发展,少数民族文化艺术也得到了长足的进步,其中新疆地区的变化卓为显著,之所以取得这样的成效一方面是新疆少数民族艺术家发挥自身的地域文化民族文化优势,一方面是内地高校和专业部门对新疆地区的不断学习交流和派遣访问学者,当代新疆才得以展现出独特的艺术魅力,其中最具代表性的就是油画艺术。本文通过对当代新疆地区少数民族油画艺术家及其油画作品风格的解析,通过对新疆地区油画艺术与内地油画艺术的比较研究,从而对新疆绘画艺术地域性民族性进行论证,得出新疆地区的绘画艺术风格是地域性民族性的物化表现形式以及新疆油画未来发展的启示。本文试从三个方面展开论述,第一部分解析新疆油画的文化内涵和文化元素,总结当代新疆少数民族题材的油画作品的文化背景及其发展脉络;第二部分对当代新疆少数民族的现状进行分析,研究当代新疆少数民族油画家作品的画面特征与艺术风格;最后部分是通过对新疆地区油画作品特殊语言风格的美学价值和艺术观念的论证,从而得到文章的论证结果,即地域性和民族性是新疆地区文化艺术传统和当下相融合的物化表现形式,坚持地域性和民族性是新疆的油画艺术繁荣发展的坚实基础。
[Abstract]:Xinjiang, as one of the regions with cultural characteristics in the regional culture of our country, has 47 nationalities living together. The diversity and richness of the nationalities have contributed to the extremely rich art culture and stable artistic aesthetic characteristics in Xinjiang.The art of oil painting in Xinjiang began formally after the founding of the people's Republic of China. In the late 1970s, Xinjiang entered a stage of rapid development. A large number of outstanding oil painting artists, Hartz Ahmad, Numat and Zhuo Ran Yassen, emerged, and so on.These artists have contributed a large number of outstanding works of art to the whole Xinjiang and even the whole country.With the development of contemporary culture, the culture and art of ethnic minorities have also made great progress, among which the changes in Xinjiang are remarkable.On the one hand, ethnic artists in Xinjiang have brought into play their regional cultural and ethnic cultural advantages, and on the other hand, colleges and universities and professional departments in the mainland have continued to study and exchange with and send visiting scholars to the Xinjiang region.Contemporary Xinjiang is able to show its unique artistic charm, of which the most representative is oil painting.Through the analysis of minority oil painting artists and their oil painting styles in contemporary Xinjiang area, and the comparative study of oil painting art in Xinjiang and inland oil painting art, this paper demonstrates the regional nationality of Xinjiang painting art.It is concluded that the painting style of Xinjiang is the materialized manifestation of regional nationality and the inspiration of the future development of Xinjiang oil painting.The first part analyzes the cultural connotation and cultural elements of Xinjiang oil painting, summarizes the cultural background and development context of contemporary Xinjiang minority oil paintings;The second part analyzes the current situation of ethnic minorities in Xinjiang, and studies the picture characteristics and artistic style of contemporary minority oil painters in Xinjiang.The last part is to demonstrate the aesthetic value and artistic concept of the special language style of the oil painting works in Xinjiang area, so as to get the argumentation result of the article.That is, regionality and nationality are the materialized manifestation of the fusion of cultural and artistic tradition and present in Xinjiang, and insisting on regionalism and nationality is the solid foundation for the prosperity and development of Xinjiang's oil painting art.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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