创作中对油画意象性的理解与探索
发布时间:2018-04-09 16:09
本文选题:“油画意象性” 切入点:“理解” 出处:《沈阳师范大学》2013年硕士论文
【摘要】:意象性油画在中国当下有着不同的风采各异的面貌。本文从油画意象性的概念入手,了解油画意象性的发展历史,以当代油画家对意象油画的理解为例,阐述说明我在创作中对油画意象性的理解和探索。在我的创作中,主要以花鸟油画为主,结合中国画的特殊艺术语言,以及对田园生活的喜爱,对油画色彩的钟情,理解意象性油画的哲学气息和油画意象性的独特的语言魅力。文章主要分为以下四部分: 第一部分:引言 引出油画意象性的概念,整理了全篇论文的脉络,对油画意象性有了初步的了解,明确了论文的主题,创作对油画意象性的理解和探索。第二部分:简单分析意象性油画的概念。进一步加深对油画意象性的理解,同时也为创作做出了充分的文字铺垫。 第三部分:意象性油画的历史渊源。首先,谈论中国哲学对意象性的影响,中国哲学的“天人合一”,由人意感知天意。以此来说明意象性在中国哲学中的的独特魅力,体会儒道两家在意象方面的探索,感受艺术带给人们相同的创意想法。更加深入的理解油画意象性的概念。接下来讲述油画意象性的发展。了解油画意象性留在历史车轮上的印记,油画民族化,以及油画意象性对我们的民族情怀的启发,油画不仅仅带给我们视觉上的享受,更让我们充分体会了它带给我们心灵洗礼。 第四部分:浅析了中国当代油画家对油画意象性的表达方式。这部分我以对当代杰出的意象油画家在对油画意象性的探索的解读,本人选择了意象花鸟油画家王仁祥先生。他从中国传统绘画中汲取了营养,然而却对意象性油画有着特殊的情节。这部分简单的分析了他对油画意象性的理解和在绘画中他对油画意象性的特殊的表达方式还有他对意象性在花鸟油画中运用使的情感流露。 第五部分:简单的表达了下我的创作体会。结合我的毕业创作,以我的部分创作图片为例。简单的说明意象性油画对我这几年的绘画之路的影响。也道出了我的论文的题目,在我的创作过程中,我对油画意象性的理解和探索。
[Abstract]:Image oil painting in China at present has different styles and different features.This paper starts with the concept of oil painting imagery, understanding the development history of oil painting imagery, taking the understanding of image oil painting by contemporary oil painters as an example, illustrates my understanding and exploration of oil painting imagery in my creation.In my creation, I mainly take the flower and bird oil painting as the main work, combine the special artistic language of Chinese painting, as well as the love of the pastoral life, the love of the oil painting color, understand the philosophical breath of the image oil painting and the unique language charm of the oil painting image.The article is divided into the following four parts:Part I: introductionThis paper introduces the concept of oil painting imagery, collates the context of the whole paper, has a preliminary understanding of the oil painting image, defines the theme of the paper, and works out the understanding and exploration of the oil painting image.The second part: a brief analysis of the concept of imagery oil painting.Further deepen the understanding of the image of oil painting, but also for the creation of a full text foreshadowing.The third part: the historical origin of image oil painting.First of all, talk about the influence of Chinese philosophy on imagery.In order to explain the unique charm of imagism in Chinese philosophy, to understand the exploration of image between Confucianism and Taoism, and to experience the same creative ideas brought by art.A deeper understanding of the concept of oil painting imagery.The next part is about the development of the image of oil painting.Understanding the imprint of oil painting image left on the wheel of history, the nationalization of oil painting, and the inspiration of oil painting imagery to our national feelings, oil painting not only brings us visual enjoyment,Let us fully understand that it brings us spiritual baptism.The fourth part: analyzed the Chinese contemporary oil painter to the oil painting image expression way.In this part, I choose Mr. Wang Renxiang, an image artist, to explore the image of oil painting.He draws nourishment from Chinese traditional painting, but has special plot to image oil painting.This part of the simple analysis of his understanding of the image of oil painting and in painting his special expression of oil painting imagery and his image in the use of flowers and birds oil paintings to make the emotion show.The fifth part: the simple expression of my creative experience.Combined with my graduation creation, take some of my creative pictures as an example.A simple illustration of the impact of image oil painting on my painting over the past few years.I also mentioned the title of my thesis, in my creative process, I understand and explore the image of oil painting.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前1条
1 吴作人;对油画“民族优”的认识[J];美术;1959年07期
,本文编号:1727156
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