“延安宝塔山”符号的形成与流变

发布时间：2018-04-09 19:32

本文选题：塔　切入点：延安时代　出处：《西安美术学院》2013年硕士论文

【摘要】：“塔”是人类一个永恒的崇拜符号，在中国，“佛塔”随着佛教思想的传入而兴建，佛教思想和佛教艺术在中国得到广泛的传弘，随之成为中国影响最大的宗教，“佛塔”也成为了中国常见的宗教性传统建筑形式，，在经过长时间的变革与发展后，“佛塔”结合佛教思想，逐步变成为一种神权的象征，在供塔、拜塔的同时，信仰者们赋予它各种各样的意义予以崇拜，从而满足自身的心理需求。自宋朝以来，“宝塔”宗教建筑就出现在中国传统山水画中，画家们经常利用这样一个精神崇拜符号装饰画面，以增加画面的宗教神秘感和观赏性。一九三七年一月十三日，中国共产党中央领导机关进驻延安，在十年延安时期，文艺工作者们为了配合当时政治宗旨和政治宣传的需要，开始创作政治意味的表现“延安宝塔山”题材的美术作品，同时出现了以“延安宝塔山”为载体的流通物。经过新中国时期的发展与变化，随之到文革时期涌现出大量各种形式的“延安宝塔山”符号。本文则以“延安宝塔山”符号为研究对象，通过对其在延安时期、新中国时期、文化大革命时期、文革后四个时间段的表现形式图像进行分类比较，释说“延安宝塔山”的形式、意义和功能的转变。
[Abstract]:"Tower" is an eternal symbol of human worship. In China, "pagoda" was built with the introduction of Buddhist thought. Buddhist thought and Buddhist art were widely spread in China and became the most influential religion in China."pagoda" has also become a common religious traditional architectural form in China. After a long period of reform and development, the "pagoda" has gradually become a symbol of theocracy, after a long period of reform and development, it has gradually become a symbol of theocracy.Believers give it a variety of meanings to worship to meet its own psychological needs.Since the Song Dynasty, the "pagoda" religious architecture has appeared in the traditional Chinese landscape painting, the painters often use such a spiritual worship symbol to decorate the picture to increase the religious mystery and appreciation of the picture.On January 13, 1937, the central leading organ of the Communist Party of China moved to Yan'an. During the 10-year period of Yan'an, writers and artists responded to the needs of political purposes and propaganda at that time.The artistic works of Yenan Baota Mountain appeared as the carrier of Yenan Baota Mountain at the same time.After the development and changes of the New China period, a large number of symbols of "Baota Mountain in Yan'an" emerged during the Cultural Revolution.In this paper, the symbol of "Baota Mountain in Yan'an" is taken as the research object. Through the classification and comparison of the images of its manifestation in the Yan'an period, the New China period, the Cultural Revolution period, and the Cultural Revolution period,The change of form, meaning and function of Baota Mountain in Yan'an.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2

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