当前位置:主页 > 文艺论文 > 绘画论文 >

中国现代漆画发展脉络研究

发布时间:2018-04-10 12:57

  本文选题:现代漆画 + 发展脉络 ; 参考:《江西科技师范大学》2013年硕士论文


【摘要】:现代漆画从传统漆器中脱离出来,并形成独立的绘画语言,是真正意义上的中国画,诚如老艺术家胡一川先生所说:“西方人发现了油画,东方人发现了漆画,这是东方和西方对人类文化的伟大贡献!”中国现代漆画经过20世纪30年代雷圭元、沈福文等老艺术家的实验启蒙,60年代学习传统和借鉴国外的创作经验,80年代形成独立的画种一直到现在依然方兴未艾,并且取得了不菲的成就。 现代漆画已经完成了作为独立画种的确定,但是在许多漆画作品中依然缺少作为一个画种而存在的独立意识。现代漆画创作出现两个极端:一是创作观念陈旧,工艺性太强;二是盲目追随艺术潮流,完全舍弃传统文化。中国现代漆画与其它画种相比还不够成熟,漆艺理论研究的淡漠,漆艺术家的整体艺术修养欠缺以及大量漆艺作品呈现出的简单图式化和肌理化,这些都使之产生对现代漆画的误读并制约其发展。通过对现代漆画的发展脉络研究,透析它所生存的空间环境以及深层的文化心理意识,,从而使我们更加清醒的认识到现代漆画发展存在的问题并对之进行严肃、深刻的反思。在东方文化传承的基础上,发展出具有“自我”意识的漆艺术语言,使漆画创作回归艺术本体。
[Abstract]:Modern lacquer painting, separated from traditional lacquer ware and forming an independent painting language, is a true Chinese painting. As the old artist Hu Yichuan put it: "Westerners have discovered oil paintings, Orientals have discovered lacquer paintings.This is a great contribution of the East and the West to human culture! "Modern Chinese lacquer painting after the experimental enlightenment of old artists, such as Lei Guiyuan and Shen Fuwen in the 1930s, and the learning of tradition in the 1960s and drawing on the creative experience of foreign countries, the Chinese modern lacquer painting has been in the ascendant up to now through the formation of independent painting varieties in the 1980s.And has made a lot of achievements.Modern lacquer painting has been determined as an independent painting, but in many lacquer paintings, it still lacks the independent consciousness as a kind of painting.There are two extremes in the creation of modern lacquer painting: one is that the creative idea is old and the craftsmanship is too strong; the other is blindly following the art trend and abandoning traditional culture completely.Compared with other paintings, Chinese modern lacquer painting is not mature enough, the study of lacquer art theory is indifferent, the overall artistic accomplishment of lacquer artists is deficient, and a large number of lacquer art works show simple schematization and texture.All these make it misread and restrict the development of modern lacquer painting.Through the research on the development of modern lacquer painting, this paper analyzes its living space environment and deep cultural psychological consciousness, so that we can more soberly understand the problems existing in the development of modern lacquer painting and make a serious and profound reflection on it.Based on the inheritance of oriental culture, the lacquer art language with "self" consciousness is developed, and the lacquer painting creation returns to the artistic body.
【学位授予单位】:江西科技师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213.9

【参考文献】

相关期刊论文 前4条

1 程向君;漆画探索[J];美术观察;1996年11期

2 丁一军;浮华的风景——谈中国绘画的当代性问题[J];美术观察;2005年06期

3 牛运功;王洪伟;;画家要具有参与文化建构的意识[J];美术向导;2007年03期

4 吴可人;创造性思维与漆画[J];艺苑(美术版);1996年02期



本文编号:1731296

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1731296.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户36fc1***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com