广西当代意象油画艺术研究

发布时间：2018-04-10 16:32

本文选题：油画艺术 + 意象油画　；参考：《广西师范大学》2016年硕士论文

【摘要】：以其形态为划分依据,我国当代油画可以区分为以下两个类型：一类趋向传统艺术形态,另一类趋向当代艺术形态,前者往往是叙事为主的写实油画,后者是研究形式语言,或是表达一种观念。而当代意象油画则大致可以认为是上述两种类型油画的交叉领域,既不同于传统油画的叙事写实风格,也区别于当代艺术油画的形式与观念表达,可以说是似与不似的表达,同时形成了属于自身的特殊表达方式与艺术内涵,因此成为一种新颖的绘画技艺发展至今。本文对广西当代意象油画进行全面研究分析,能够进一步理清广西当代意象油画的发展脉络,进一步明确其发展方向,因此具有十分显著的理论价值与现实意义。本课题梳理了广西画坛意象油画的发展历程,对其中的代表人物进行介绍分析。作为广西意象油画艺术发展的中坚力量,他们引领了广西意象油画的发展。陈毅刚、张冬峰等通过自身对生命与生活的感悟,融自然于画作之中,用丰富的色彩描绘了一幅幅具有田园画风的优美作品；谢森、黄菁等则植根于传统文化土壤,将我国的传统文化融入油画创作,实现了传统文化与油画艺术的完美融合,为传统文化的继承与创新做出了突出贡献；此外,也有部分画家坚持自我的个性化艺术理念,充分将都市发展中文明与文化的冲突体现在画作中,展示一种反思发展、反思社会的人文情感。本课题研究以广西当代意象油画艺术的类型细分为切入点,在分析阐述意象油画发展历程的基础上,对其现状进行系统分析,并列举分析了部分代表画家的艺术成就与表现手法,探讨民俗绘画元素与意象油画融合发展的可能,并对这种融合所体现的艺术张力及发展前景进行分析。在具体研究中,本文更需要采取综合文献研究、实地调研、问卷访谈、比较研究、归纳研究等多种研究方法,旨在全面系统的对广西意象油画艺术进行梳理与总结,从而为意象油画的科学发展提供一些有价值的参考。
[Abstract]:On the basis of its form, Chinese contemporary oil painting can be divided into the following two types: one tends to traditional art form, the other tends to contemporary art form, the former is often narrative realistic oil painting, the latter is the formal language.Or express an idea.The contemporary image oil painting can be regarded as the cross field of the two types of oil painting, which is different from the narrative realistic style of traditional oil painting, and also different from the form and concept expression of contemporary art oil painting. It can be said that it is expressed as if or not.At the same time formed its own special expression and artistic connotation, so it has become a novel painting techniques.This article carries on the comprehensive research and analysis to the Guangxi contemporary image oil painting, can further clear the Guangxi contemporary image oil painting development vein, further clarifies its development direction, therefore has the very remarkable theory value and the realistic significance.This subject combs the development course of Guangxi image oil painting, and introduces and analyzes the representative characters.As the backbone of the development of Guangxi image oil painting, they lead the development of Guangxi image oil painting.Chen Yi Gang, Zhang Dongfeng and others, through their own understanding of life and life, melt nature into the paintings and use rich colors to depict beautiful works of pastoral style; Xie Sen, Huang Jing and others are rooted in the traditional cultural soil.The integration of Chinese traditional culture into oil painting has realized the perfect fusion of traditional culture and oil painting art, and has made outstanding contributions to the inheritance and innovation of traditional culture. In addition, some painters adhere to their own individualized artistic concept.The conflict between civilization and culture in urban development is fully reflected in the paintings, showing a reflection of development and reflection of the humanistic feelings of society.Based on the analysis of the development course of image oil painting, this paper systematically analyzes the present situation of the image oil painting, taking the classification of the contemporary image oil painting art in Guangxi as the breakthrough point.It also enumerates and analyzes the artistic achievements and expressive techniques of some representative painters, probes into the possibility of the integration of folk painting elements and image oil paintings, and analyzes the artistic tension and development prospects reflected by this fusion.In the specific research, this paper needs to take comprehensive literature research, field research, questionnaire interviews, comparative research, induction research and other research methods, aiming at a comprehensive and systematic carding and summing up of Guangxi image oil painting art.In order to provide some valuable reference for the scientific development of image oil painting.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

【相似文献】