改革开放以来新古典主义青春主题绘画研究

发布时间：2018-04-10 20:30

本文选题：改革开放 + 中国新古典主义　；参考：《浙江理工大学》2013年硕士论文

【摘要】：中国新古典主义青春主题绘画是中国改革开放以来20世纪80年代兴起的一种以学院派为基础的写实绘画。它用西方古典绘画技法，用纯正的油画语言来体现油画的艺术特质，并且吸纳传统的艺术理念来塑造以青年一代为主体的青春主题。新古典主义艺术家试图把传统古典文化精髓和崇高的艺术理念通过外在和精神层面，树立起体现以美为标准的人性审视和人文精神，使人的“美”成为理想美的人性升华。新古典主义艺术家是在中国20世纪80、90年代，中国艺坛对人文精神的不断拓展和人类文明中以“人”为中心的文化发展史中逐渐形成的。新古典主义青春主题绘画消解了1949年以来特殊历史背景下，绘画中表现的个人隶属于专制的青春主义和围绕英雄人物，宏大叙事狭隘的绘画内容。新古典主义青春主题绘画塑造了以大众审美意识为主体的人的形象和人类美好的人性特质。同时新古典主义艺术家关于青春主题的理解也愈加丰富，艺术创作的视野也不断拓宽。他们从形象塑造、生存环境、内心世界等多面探究人的内在的精神与外在的美。改革开放之后，中国艺坛呈现多元缤纷的艺术现状，青春主题绘画的表达有唯美的，也有过度偏离了人的基本特质，在绘画中折射出暴力、血腥、冷漠等人性的阴暗面以及人们置身于当代社会中不安的生存状态。个别作品脱离人的现实、极度扭曲夸大人的精神情感、生存状态，让大众触目惊心。在这种绘画语境下人应有的生活状态和精神信仰被摧毁，人类的精神家园面临着巨大的危机。但是新古典主义青春主题绘画所表现的人文思想和真善美的人性，在物欲横流的当代社会中成为一种难得的清新剂。在现代与传统，东方与西方，反叛与坚守的博弈中，从理性的视角思考当代人存在的价值，承担着对文化与精神传承和坚守的崇高使命，无疑成为改革开放以来的美术界重要的形式之一。论文主要围绕以下四个方面对改革开放以来新古典主义青春主题绘画及相关问题展开研究。首先，对中国新古典主义青春主题绘画释意与范围的阐述。包括青春的释义，西方绘画史上的古典主义青春主题绘画，中国20世纪80年代新古典主义绘画的释意，中国青春主题绘画的研究范围，圈定了本论文研究的对象目标和主要内容。其次，进一步研究中国新古典主义青春主题绘画产生与发展的基础与条件，把研究对象与时代紧密联系起来，详细分析其存在的时代背景和艺术现状，为艺术现象的存在提供理论依据。第三章，重点分析新古典主义青春主题绘画表现的特征，结合典型的作品个案做详细的梳理解读，用哲学的思维来思考，，以一种美的方式发现人外在和内在之间的关系。第四章，梳理新古典主义青春主题绘画在改革开放以来对中国社会文化和精神层面上存在的意义与价值，以此来研究其在中国当代美术界所形成的学术价值和对中国当代美术界所产生的深远影响。笔墨当随时代，新古典主义青春主题开启了中国人文主义思想独特的文化视窗，它的存在与发展必然会跟随时代的脉动而持续跳动。
[Abstract]:China neoclassical youth theme painting is China since the reform and opening up in 1980s the rise of a school based realistic painting. It used the western classical painting techniques, with pure oil painting language to reflect the artistic characteristics of painting, and absorb the traditional concept of art to shape to the young generation as the main theme of youth. New classical artists try to put the traditional essence of classical culture and art concept through the external and mental level, set up to reflect the beauty of human nature view and standard of humanistic spirit, the "beauty" has become the ideal beauty of the sublimation of human nature.
The neoclassical artist is in Chinese twentieth Century 80,90, Chinese art continues to expand on the humanistic spirit and human civilization in the "people" as the center of culture history gradually formed. The neoclassical painting deconstructs the youth theme since 1949 under the special historical background, the expression in individuals belonging to the tyranny of youth "and around the hero, the grand narrative narrow painting content. The youth theme of Chinese neoclassical painting created by popular aesthetic consciousness as the main body of the image and better qualities of human nature. At the same time, the new classical artists understanding about the theme of youth has become more and more rich artistic vision is expanding constantly. They from image shaping, living environment, inner world multi-faceted study man's inner spirit and external beauty. After the reform and opening up, China art diversified colorful art now The shape, expression of youth theme painting is beautiful, also have the excessive deviation of the basic qualities of the people, reflected in the painting of bloody violence, indifference, the dark side of human nature and people in contemporary society uneasy existence. Individual work divorced from reality, extremely distorted magnify the spirit of emotion. The survival of the state, so that the public is shocking. This painting was destroyed in the context of human life should be state and spiritual belief, the spiritual home of mankind is facing a huge crisis. But the new classical youth theme painting the humanistic thoughts and the beauty of human nature, has become a rare freshener in modern materialistic society in the traditional and modern, East and West, rebel and stick to the game, thinking of the contemporary value of human existence from a rational perspective, for cultural and spiritual heritage and adhere to the lofty mission, no Doubt has become one of the most important forms of the art world since the reform and opening up.
This paper mainly focuses on the following four aspects of the youth theme of Chinese neoclassical painting since the reform and opening up and related problems. First, the Chinese youth theme of Chinese neoclassical painting interpretation and exposition. It includes the scope of interpretation of the history of Western painting, classical youth theme painting, China 1980s neoclassical painting interpretation the scope of the study, China youth theme painting, the delineation of the target and the main contents of this paper. Secondly, the foundation and conditions for further research Chinese neoclassical youth theme painting creation and development, the research object and times together, a detailed analysis of the background and the present situation of art, and provide a theoretical basis for the there is the phenomenon of art. The third chapter focuses on the analysis of characteristics of the neo classical youth theme painting, combined with a typical case of works Combing with the interpretation, thinking in philosophical thinking, in a beautiful way that the relationship between the internal and external. In the fourth chapter, combing the neoclassical painting in the youth theme since the reform and opening up of the meaning and value of existence Chinese social cultural and spiritual level, in order to study the formation of Contemporary China the art of the academic value and the contemporary art circle of Chinese produced far-reaching effects.
With the era, the theme of new classicism youth opens the unique cultural window of Chinese humanism. Its existence and development will follow the pulsation of the times and keep beating.

【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.9

【参考文献】