汉代美术地理形态刍议

发布时间：2018-04-11 18:27

本文选题：地理(空间) + 汉代美术　；参考：《艺术探索》2016年01期

【摘要】：文化地理研究表明,某种文化发达区域往往是以各种文化要素的数量等分项统计作基础,再相叠加划定的,文化要素的密集分布区就是文化发达区域。汉代美术要素因子(文献记载中的画家,考古发掘的汉代壁画墓、画像石、画像砖遗存)的分布密集区域为:兖、豫、青、徐地区,河南郡地区,南阳郡地区,京兆及其周围地区,蜀郡及其周围地区。前三区分布关系极为密切,呈现一种连体结构。以齐鲁与洛阳两地为轴心展开的东西狭长区域成为汉代各项美术要素因子分布最为密集的交汇地带,该区域即黄河中下游流域是汉代美术创作活动的重心,而当时南方美术的发展水平则远不及北方。
[Abstract]:The study of cultural geography shows that a certain cultural developed region is usually based on the statistics of the number of various cultural elements, and then superimposed, the dense distribution area of cultural elements is the cultural developed region.The distribution of factors of art elements (painters recorded in the literature, archaeological excavations of Han Dynasty mural tombs, stone portraits, and remains of brick) are as follows: Yan, Yu, Qing, Xu, Henan County, Nanyang County,Jingzhao and its surrounding areas, Shu County and its surrounding areas.The distribution of the first three regions is very close, showing a conjoined structure.The east-west narrow area with Qilu and Luoyang as the axis became the most densely distributed intersection of various factors of fine arts in the Han Dynasty. The middle and lower reaches of the Yellow River were the focus of the fine arts creation activities in the Han Dynasty.At that time, the level of development of southern art was far from that of the north.
【作者单位】：天津美术学院史论系;
【基金】：天津市高等学校人文社会科学研究一般项目资助“中国美术研究对地理(空间)的关注与局限”(20142330)
【分类号】：J209.2

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