论勃纳尔绘画艺术中的东方气质

发布时间：2018-04-11 20:29

本文选题：东方气质 + 平面　；参考：《西安美术学院》2013年硕士论文

【摘要】：法国纳比派画家皮耶·勃纳尔的绘画中带有独特的东方气质。从东方绘画中，勃纳尔不但发现了画面形式上的平面化、装饰性、纯色的运用，以及构图上对二维空间、画面的切割和留白的处理和表现，而且还在深层的精神领域和思想方面与东方绘画有相似的追求：比如画面意境、主观性等等。勃纳尔将这些东方元素融入到自己的画面中，传达出了他丰富的内心感受和真实生活，从而激发了勃纳尔绘画中东方气质的存在和形成。勃纳尔并不是对东方绘画简单的模仿，也不是选取其中的元素与自己的绘画相叠加，而是融合自己的情感和对自然的热爱，创造出新的绘画语言和形式，使自己的绘画富有东方艺术的气质，因而勃纳尔的绘画在西方画坛中极具鲜明的个人风格，他的画中有“勃纳尔”标签的独特东方气质。我所研究的勃纳尔，用感性的视角去描绘最平凡的日常生活，表现出以小见大、以近见远的精神追求，，在绘画中反映出强大的生命力！由此带给我启示：反观中国油画艺术，在认识和学习西方艺术的同时，我们应当坚持民族精神，将中国元素添加到自己的创作中；另外，在我们画面中缺乏情感和调动人的激情。我们需要自我情感的体验，走进自己的内心，把感情主观投入到画面中中。本文主要通过五个部分论述，第一部分主要论述勃纳尔绘画中东方气质的形成背景及原因，历史发展的规律、社会环境和背景、画家个人因素三个部分进行分析和阐述。第二部分主要论述在绘画观念上所体现的东方气质，第三部分写绘画形式上所体现的东方气质，第四部分通过对前辈和后继者的艺术比较，得出勃纳尔的东方气质的总结归纳，第五部分是对中国油画艺术的反观和对自己创作中的启示。
[Abstract]:The painting of Pier Bonnard, a French Nabi painter, has a unique oriental temperament.From the oriental painting, Bonnard not only discovered the flatness, decoration, use of solid color in the form of the picture, but also the processing and expression of the two-dimensional space, the cut of the picture and the white space in the composition.But also in the deep spiritual field and ideological and oriental painting have similar pursuit: for example, artistic conception, subjectivity and so on.Boehner integrates these oriental elements into his own picture, conveys his rich inner feelings and real life, thus arousing the existence and formation of oriental temperament in Bonnard's paintings.Bonnard is not a simple imitation of Oriental painting, nor does he choose the elements in it to overlap with his own painting, but to combine his feelings and love of nature to create a new painting language and form.Making his painting rich in Oriental artistic temperament, Bonnard's painting has a very bright personal style in the western painting world, and his painting has the unique oriental temperament of "Bonnard" label in his paintings.I study Bonnard, with the perceptual perspective to describe the most ordinary daily life, showing through a small part of the whole, with the near distant spiritual pursuit, in the painting reflects a strong vitality!This brings me enlightenment: while recognizing and learning western art, we should adhere to the national spirit and add Chinese elements to our own creation.There is a lack of emotion and passion in our pictures.We need self-emotional experience, into their own hearts, emotional subjective into the picture.The first part mainly discusses the formation background and reason of oriental temperament, the law of historical development, the social environment and background, and the personal factors of painter in Bonnard's painting.The second part mainly discusses the oriental temperament embodied in the concept of painting, the third part describes the oriental temperament embodied in the form of painting, the fourth part draws a conclusion of Bonnard's Oriental temperament through the comparison of the art between the predecessors and successors.The fifth part is the reflection to Chinese oil painting art and the enlightenment to own creation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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