明代名媛画家花鸟画的题材研究

发布时间：2018-04-15 07:17

本文选题：明代 + 名媛画家　；参考：《扬州大学》2013年硕士论文

【摘要】：花鸟画是中国传统绘画三大画科之一,作为独立画科始于唐朝。花鸟画与人物、山水画共同组成中国传统绘画的主要表现题材,绘画表现内容主要以各个种类的动物和植物为主。而花鸟画的题材内容较其它画科有着鲜明的特点,尤其是它的寓意性是其他绘画题材所不可取代的,但是不同时代的绘画创作者,由于政治、经济、文化以及个体生活经历等方面的差异,会导致画家在花鸟画题材的选择上展现出独特的倾向。明代以名媛为代表的女性绘画群体开始在中国传统绘画史上逐步彰显出她们自己的独特艺术风格。从统计明代名媛画家的数量以及她们流传下来的大量作品中我们可以看出,这一时期的女性绘画得到了空前的繁荣和发展,并且在艺术风格上也从一定程度上影响着清代及后世的女性画家。纵观文献研究资料发现,对名媛绘画的研究主要集中于画家群体或个别画家的艺术风格上的探讨,而对于绘画题材的研究却长期缺乏关注。可正如我们所知,题材作为画面因素中最先需要确定的一步,常常成为绘画审美取向形成过程中的关键部分。而作为一直被众多女性画家所热衷的花鸟画题材,在名媛绘画群体中又体现出怎样的特殊性呢?这无疑是一个非常重要的问题。因此,本文选取明代名媛画家花鸟画的题材的选择为研究对象,从三个角度进行分析与论述：首先,运用图像学、艺术美学等学科知识,探讨这一时期名媛画家在花鸟画题材选择上的特殊倾向；其次,采用综合与比较分析方法,探究明代名媛画家与其它女性画家群体在花鸟画题材选择上的差异性,来论证名媛画家在花鸟画选择上的特殊性；第三,结合名媛画家的花鸟绘画作品,进一步通过画面的表现手法、绘画特征等方面,论证其对名媛画家花鸟画题材选择上的影响,继而探讨名媛画家在花鸟画的题材选择上的呈现出这种特殊性的原因和意义。总而言之,本课题试图以名媛画家这个绘画群体为研究对象,对花鸟画的题材选择倾向上所表现出的特殊性进行深入研究,以期能够从绘画题材的角度进一步完善对明代名媛画家群体绘画艺术的研究,形成一种更加全面、立体的认识与把握。
[Abstract]:Flower and bird painting is one of the three major painting subjects in traditional Chinese painting, which began in the Tang Dynasty as an independent painting subject.Flower and bird painting, characters, landscape painting together constitute the main performance theme of Chinese traditional painting, the main content of painting is all kinds of animals and plants.The subject matter of flower-and-bird painting has distinct characteristics compared with other painting subjects, especially its implication is irreplaceable by other painting subjects, but painting creators of different times, because of politics, economy,The difference of culture and individual life experience will lead the painter to show a unique tendency in the choice of the theme of flower and bird painting.In the Ming Dynasty, the female painting group represented by the celebrities began to show their own unique artistic style in the history of Chinese traditional painting.From the statistics of the number of celebrities in the Ming Dynasty and the large number of works they have passed down, we can see that the female paintings of this period have enjoyed unprecedented prosperity and development.And to some extent, the artistic style also influenced the female painters of Qing Dynasty and later generations.It is found that the research on the painting of the celebrities is mainly focused on the discussion of the artistic style of the painters or individual painters, but the study on the subjects of painting has been lack of attention for a long time.However, as we know, subject matter, as the first step to be determined in the picture, often becomes a key part in the forming process of aesthetic orientation of painting.As a subject matter of flower and bird painting, which has been loved by many female painters, what kind of particularity does it embody in the group of famous women painting?This is undoubtedly a very important issue.Therefore, this article selects the Ming Dynasty famous Yuan painter flower and bird painting theme choice as the research object, carries on the analysis and the elaboration from three angles:First of all, the use of graphics, art aesthetics and other disciplines to explore the special tendency of this period in the choice of flower and bird painting topics;Secondly, using the method of comprehensive and comparative analysis, this paper explores the differences between the Ming Dynasty and other female painters in the choice of flower and bird painting subject matter, to demonstrate the particularity of the choice of flower and bird painting.Thirdly, combined with the flower and bird paintings of the famous Yuan painters, we further demonstrate its influence on the choice of the subject matter of the flower-and-bird paintings of the famous yuan painters through the means of expression of the pictures and the characteristics of the paintings, and so on.Then it discusses the reasons and significance of this particularity in the theme selection of flower-and-bird paintings.In a word, this paper tries to study the particularity of the theme selection tendency of flower and bird painting by taking the painting group of Mingyuan painter as the research object.In order to further improve the painting art from the perspective of painting theme, form a more comprehensive, three-dimensional understanding and grasp.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2;J212

【参考文献】