“有意味的形式”—工笔花鸟画形、色之变

发布时间：2018-04-16 08:35

本文选题：有意味的形式 + 花鸟画　；参考：《云南师范大学》2017年硕士论文

【摘要】：中国绘画是经历几千年传统文化积淀,遗留下来的具有民族特色的传统艺术,在世界上也是独树一帜;有着独特的面貌和神韵。在魏晋南北朝时期,被外来式样与外来思想引诱以后,从而中国艺术也获得了一种充实健全的进展力。到隋唐五代至宋朝时,绘画也经历了文人士大夫的发扬和传承;几经周折和变革,逐渐形成了中国特有的艺术形式。同时也因各代帝王,提倡建立画院,绘画也得到了长足的发展。一直到清代工笔花鸟画也经历了从兴盛到衰落的历史跌宕。从传统的全景式构图、折枝构图一直到现今的新工笔画出现“图像化”的历史衍变,工笔花鸟画也进入了新的思想语境的表达。当代工笔花鸟画的创作无论从构图形式还是在表现物象、处理技法等都需要更深层次的探索。这样也使得工笔花鸟画在新的时代下重新赋予其“笔墨当随时代”的完美诠释。
[Abstract]:Chinese painting is a traditional art with national characteristics which has been accumulated through thousands of years of traditional culture. It is also unique in the world; it has a unique appearance and charm.In the Wei, Jin, Southern and Northern dynasties, after being lured by foreign patterns and ideas, Chinese art also gained a full and sound power of progress.By the time of Sui Tang and five dynasties to Song Dynasty painting also experienced the development and inheritance of literati and officials; after several setbacks and changes gradually formed the unique art form of China.At the same time, because of the emperors of all generations, advocated the establishment of painting school, painting also got considerable development.All the way to the Qing Dynasty, the fine brushwork flower-and-bird painting also experienced from prosperity to decline of the history of ups and downs.From traditional panoramic composition, twisted-branch composition to the historical evolution of "picturization" in modern fine brushwork, fine brushwork and bird painting have also entered the expression of new ideological context.The creation of contemporary meticulous flower-and-bird paintings requires deeper exploration, whether in the form of composition or in the representation of objects and techniques.This also makes fine brushwork flower-and-bird painting in the new era to re-endow its "pen and ink with the times" the perfect interpretation.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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