试论中国绘画中“静物”的表现
发布时间:2018-04-17 07:07
本文选题:静物 + 花卉 ; 参考:《北京服装学院》2017年硕士论文
【摘要】:“静物”一词最早出现的西方绘画的题材中,传统中国绘画题材分为山水、花鸟、人物,因此在探究中国绘画中静物的表现样式时主要从人物绘画中的场景以及花鸟绘画中去寻找可能性。从原始时期的彩陶,秦汉时期的帛画和漆画,到唐代的人物绘画中,静物一直作为绘画的配角而存在。五代、两宋以及后来的花鸟绘画则是静物作为绘画题材表现的典范。历代《岁朝图》中静物作为主体出现在中国画中。近现代中西艺术文化的相互影响让静物在中国绘画中的表现有了更多的可能性。林风眠开辟了中西艺术融合的以静物为主体的绘画的新道路;刘巨德将设计理念融入静物绘画之中,自成一派;刘进安不断的探索静物在水墨方面的表达,赋予了静物新的高度。在艺术的不断发展中,也在各艺术家不断地探索中静物将被赋予更多的形式。本文从中国画的发展历程中去分析各个时期中国绘画中出现的静物,梳理出来静物作为绘画题材出现在绘画中的功能性的转变。
[Abstract]:Among the earliest themes of Western painting in which the word "still life" appeared, the traditional Chinese painting themes were divided into landscape, flowers and birds, and characters.Therefore, in exploring the performance style of still life in Chinese painting, we mainly look for the possibility in the scene of character painting and the painting of flowers and birds.From painted pottery in the primitive period, silk painting and lacquer painting in the Qin and Han dynasties to the figure painting in the Tang Dynasty, still life has always existed as the supporting part of the painting.Five dynasties, two Song Dynasty and later flowers and birds painting is still life as a painting theme performance model.In the past dynasties, still life appeared as the main body in Chinese painting.The mutual influence of Chinese and western art and culture in modern times makes the performance of still life more possible in Chinese painting.Lin Fengmian has opened up a new way of painting in which Chinese and Western art merge with still life as the main body; Liu Jude has integrated the design concept into still life painting and has become a school of his own; Liu Jinan has constantly explored the expression of still life in the aspect of water and ink.Gives new heights to still life.In the continuous development of art, and in the constant exploration of artists, still life will be given more forms.This article from the development of Chinese painting to analyze the various periods of Chinese painting in the still life, carding out still life as a subject matter of painting in painting functional changes.
【学位授予单位】:北京服装学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212
【参考文献】
相关期刊论文 前2条
1 李希尚;张越;高珊;赵超;;透过油画看青花——从西方静物油画中管窥到的中国瓷器[J];设计;2012年02期
2 彭中彦;汝州解图[J];东方艺术;2005年06期
,本文编号:1762574
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