现代绘画里“无中生有”的形式与表现

发布时间：2018-04-20 09:26

本文选题：无中生有 + 现代绘画　；参考：《天津师范大学》2014年硕士论文

【摘要】：19世纪末,后印象派的出现开启了现代主义美术的大门,他们既反对传统的绘画,又不支持印象派过于追求自然表象的光与色,他们更注重艺术家本身个性的表达,画面形式注入了画家本人强烈的情感和观念。他们彻底地革新了过去的绘画面貌,画家的主观表现取代了对自然的客观再现。在他们的创作思想和艺术理念的影响下产生了众多现代艺术画派,许多评论家认为现代艺术走向了虚无主义,但是纵观西方美术史,艺术形式表现出的多元性在现代绘画中却体现的最为明显。笔者认为,现代艺术抛弃约定成俗的规则,对过去建立的美学大厦进行大胆地否定反而给现代绘画带来了无限的可能,仅仅用“虚无主义”一词就给整个现代艺术史下定义是不客观的,“无”中本来就蕴涵着“有”,是对绘画元素进行选择和舍弃,是艺术上的高度提炼。“无”也代表着无数的可能,它们隐藏在表象之下,难以名状,却真实存在,只有那些最有才华的艺术家才能发现它们。也正因如此,现代艺术形式呈现出的多元性也是前所未有的。在20世纪最初的十几年里,现代艺术发展迅猛,出现了众多流派和理论,他们希望用新的表现形式确立新的系统、新的游戏规则。到了30年代已经建立起以表现和抽象为核心内容的现代绘画的系统理论。现代主义画家拥有很强的批判精神,他们敢于对传统进行勇敢大胆的反抗,希望从教条的理论和古典主义里解放出来,他们不满足于仿造自然,而是要摆脱旧思想的束缚,为我们开创出艺术的新的可能性,就像阿波利奈尔说的：“伟大的艺术家的社会功能就是要不断更新自然界在世人眼中的表象,这正是艺术的特征,也是它的社会角色,正是创造力决定了艺术的方向。”杜尚也说过：“就我们的生存经验来说,建立规矩和守规矩还不算难,难的是超越规矩,不让规矩来限制我们生动活泼的生命。”
[Abstract]:At the end of the nineteenth Century, the emergence of the post Impressionist school opened the gate of modernist art. They both opposed traditional paintings and did not support the Impressionists' pursuit of the light and color of the natural appearance. They paid more attention to the expression of the artist's own personality. The form injected into the painter's strong emotions and ideas. They completely renovated the past. The subjective expression of the painter takes the place of the objective reproduction of nature. Under the influence of their creative ideas and artistic ideas, many modern art schools have been created. Many critics think that modern art has gone to nihilism, but in the history of Western art, the plurality in the form of art manifests most in modern painting. Is obvious.
The author thinks that modern art abandons the rules of convention and denies the aesthetic edifice of the past, but it brings infinite possibility to modern painting. It is not objective to define the whole modern art history only with the word "Nihilism". Choice and abandoning are the high refinement of art. "No" also represents countless possibilities. They are hidden under the appearance, indescribable, but real, only the most talented artists can find them. And that is why modern art forms are also unprecedented. In the first ten years of the twentieth Century. In the rapid development of modern art, many schools and theories have emerged. They hope to establish new systems, new rules of play with new forms of expression. By the year 30s, the system theory of modern painting, which is the core of expression and abstraction, has been established. Modernist painters have a strong spirit of criticism and they dare to carry on the tradition. Brave and bold resistance, to liberate from doctrines and classicism, they are not satisfied with imitation of nature, but to break away from the shackles of old ideas and create new possibilities for us, as Apollinaire said: "the social function of great artists is to constantly renew the nature of the world in the eyes of the world. It is the feature of art, the social role of it, and its social role. It is creativity that determines the direction of art. "Duchamp said," it is not difficult to establish rules and rules for our survival experience. It is difficult to overcome the rules and not restrict the lively life of us. "

【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.9

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