胡佩衡艺术研究初探

发布时间：2018-04-20 19:51

本文选题：胡佩衡 + 艺术成就　；参考：《中国艺术研究院》2017年硕士论文

【摘要】：本文通过查找第一手资料和对以往文献的梳理,经汇总归纳,以胡佩衡生平轨迹为线索,结合20世纪中国社会运动的历史变迁及文化思潮,解读其人其事,分析其创作特点和艺术造诣,探讨他在不同领域的艺术成就,探析其与湖社画会(简称:湖社)的关系和对后世产生的影响,提出在当下书画创作和理论学习中可借鉴的方面和意义,以期对胡佩衡在中国画创作、美术教育、美术理论研究等方面的贡献,进行整理和阐述,论述其历史地位。胡佩衡是20世纪“京津画派”中的代表画家,对当时画坛中国画的发展做出了重大贡献。早年学画从临摹明清绘画入手,20岁后有机会与北京知名画家交往并得到指导。1918年加入北京大学画法研究会,翌年被聘为导师,并主持《绘学杂志》的编辑、出版工作,同时为金城创办的中国画学研究会成员,也是湖社的创建者之一,曾参与主编《湖社月刊》。20世纪40年代曾执教于北京师范大学、北平艺术专科学校。1949年后,为中国画研究会常任理事、研究部主任,北京画院画师兼院务委员会副主任。胡佩衡曾主办过“中国山水画函授学社”,培养了全国各地大批的画家学子。胡佩衡的艺术生涯,涉及书画创作、美术教育、美术理论、出版编辑等诸方面。通过对胡佩衡生平、山水画艺术分期、艺术思想和在湖社中的作用及交游情况的探究,凭借对其后人的约访和现有材料的梳理,可以探寻民国时期书画家的审美取向及美术教学方法等,具佐证中国美术史演变发展的意义。
[Abstract]:By looking up first-hand information and combing past documents, this paper, by summarizing and summarizing, taking Hu Peiheng's life track as a clue, and combining the historical changes and cultural trends of Chinese social movements in the 20th century, interprets his people's affairs. He analyzes his creative characteristics and artistic attainments, probes into his artistic achievements in different fields, and probes into his relationship with the Lake Society painting Society and its influence on later generations. This paper puts forward the aspects and significance that can be used for reference in the current calligraphy and painting creation and theoretical study with a view to arranging and expounding Hu Pei-heng 's contributions in the aspects of Chinese painting creation, art education, art theoretical research and so on, and discusses his historical position. Hu Peiheng was a representative painter in Beijing-Tianjin painting School in the 20 th century, and made great contribution to the development of Chinese painting in the painting world at that time. When he was 20 years old, he had the opportunity to associate with and be instructed by famous painters in Beijing. He joined the Peking University painting Society in 1918 and was hired as a tutor in the following year. He also presided over the editing and publishing work of the Journal of Picture Science. At the same time, he was a member of the Chinese painting Society founded in Jincheng and one of the founders of the Lake Society. He was a co-editor of the monthly Journal of the Lake Society. In the 1940s, he taught at Beijing normal University, Peiping College of Art. After 1949, he taught at Beijing normal University. As a permanent director of the Chinese painting Research Society, director of the research department, painting division of the Beijing Academy of painting and Deputy Director of the Academy Committee. Hu Peiheng has hosted the Chinese Landscape painting correspondence Society and trained a large number of painters from all over the country. Hu Peiheng's artistic career involves calligraphy and painting creation, art education, art theory, publishing and editing, etc. Through the exploration of Hu Pei Heng's life, the art stages of landscape painting, the artistic thought and the role in the Lake Society, and the situation of his friends, he made a survey of his posterity and the existing materials. The aesthetic orientation and teaching methods of calligraphy and painters during the Republic of China period can be explored, which has the significance of supporting the evolution and development of Chinese art history.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】