论当代写意花鸟画笔墨语言的新样式

发布时间：2018-04-21 06:25

本文选题：传统 + 写意花鸟画　；参考：《河北师范大学》2017年硕士论文

【摘要】：本文研究的是笔墨元素在写意花鸟画中的表现,主要是通过传统写意花鸟画中笔墨元素的运用,继承与创新对当代写意花鸟画中笔墨元素新图式的解析,通过相关理论和图式的论证,更清晰的了解当代写意花鸟画的发展趋势和笔墨元素的多元化。本文通过三个部分对当代写意花鸟画笔墨元素的新图式进行了探究和解析。第一部分,通过翻阅各种作品、文献等资料,以传统写意花鸟画笔墨语言中的笔法、墨法以及构图等法则为基础,结合传统写意花鸟画中的艺术表现形式和审美意趣,来进一步分析了解传统写意花鸟画中笔墨元素的运用;第二部分,以传统写意花鸟画的笔墨语言图式为基础,以当代写意花鸟画语境的构建和形象造型两个方面,结合当代写意花鸟画家如周京新、李魁正、郭怡[n等画家的作品,从构图的新样式、笔墨语言的构建和形象造型中的具有民间性的艺术形式表现、夸张抽象的艺术形式表现、及装饰性绘画的艺术形式表现等方面来了解当代写意花鸟画中笔墨语言的艺术高度和审美取向,分析当代写意花鸟画中笔墨元素新图式的继承和创新;最后一部分,从当代写意花鸟画笔墨元素的多元化中,谈当代写意花鸟画的审美认知。
[Abstract]:This paper studies the expression of brushstroke elements in freehand brushwork, mainly through the use of traditional freehand brushwork, inheriting and innovating the analysis of the new schema of brushwork elements in contemporary freehand brushwork. Through the relevant theory and schema argument, a clearer understanding of the development trend of contemporary freehand brushwork flower and bird painting and the diversity of brush and ink elements. This paper explores and analyzes the new schemata of brushwork elements in contemporary freehand brushwork. The first part, through reviewing various works, literature and other materials, based on the traditional freehand brushwork, ink and composition of the brush and ink language as the basis, combined with the traditional freehand brushwork in the form of artistic expression and aesthetic interest, To further analyze and understand the use of brush and ink elements in traditional freehand brushwork flower-and-bird painting. The second part, based on the traditional brushwork, the construction of the context of flower-and-bird painting and image modeling, is based on the traditional freehand brushwork of flower-and-bird painting. Combined with the works of contemporary freehand brushwork artists such as Zhou Jingxin, Li Kuizheng, Guo Yi [n], from the new style of composition, the construction of pen and ink language and the expression of folk art form in image modeling, the expression of hyperbole and abstract art form. To understand the artistic height and aesthetic orientation of brush and ink language in contemporary freehand brushwork and bird painting, and to analyze the inheritance and innovation of the new schema of stroke and ink elements in contemporary freehand brushwork. From the diversified elements of contemporary freehand brushwork, the aesthetic cognition of contemporary freehand brushwork flower-and-bird painting is discussed.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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