社会现实对中国油画发展的影响

发布时间：2018-04-21 17:27

本文选题：中国油画 + 本土化　；参考：《陕西师范大学》2013年硕士论文

【摘要】：现当代的中国油画正处于本土化的大讨论时期,艺术家们开始意识到油画本土的重要性。本文将油画作为一种文化的体现来进行分析,并不把油画当做单纯的绘画来进行分析,这种文化在进入中国时受到了什么样的影响。本文结合油画在中国的发展历史进行阐述,论证影响中国油画发展的最主要因素是中国的社会因素,如果油画的题材和审美思想强硬的冲击社会思潮和政治因素必然会换来恶果,我们应当以何种方式来完成中国油画本土化的进程同时避免受到社会思潮的抵制,我们必须借以理论指导,笔者认为毛泽东的批判性地继承民族文化遗产和吸收未来进步文化理论值得我们借鉴。这一理论借以马克思理论中国化的成功验证了对外来文化不能全盘接收,同时也要吸收本十文化的精髓,这一理论同时是在中国近百年来社会思想变革中得出的结论,对油画被中国社会认知有着很好的指导作用。
[Abstract]:Modern and contemporary Chinese oil painting is in the period of localization discussion, artists begin to realize the importance of oil painting native. This text regards oil painting as a kind of cultural embodiment to carry on the analysis, does not regard the oil painting as the pure painting to carry on the analysis, this kind of culture has been subjected to what kind of influence when entering China. Based on the development history of oil painting in China, this paper demonstrates that the most important factor affecting the development of Chinese oil painting is the social factor of China. If the subject matter and aesthetic thought of oil painting have a strong impact on the social trend of thought and political factors, what way should we complete the process of localization of Chinese oil painting and avoid the resistance of the social trend of thought? The author thinks that Mao Zedong's theory of critically inheriting the national cultural heritage and absorbing the progressive culture in the future is worthy of our reference. The success of Marx's theory in China has proved that the foreign culture cannot be completely accepted, and at the same time the essence of the ten cultures should be absorbed. This theory is also a conclusion drawn from the social and ideological changes in China in the past hundred years. Oil painting by the Chinese society has a good understanding of the guidance.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【共引文献】