浅析中国当代艺术中的阴郁绘画

发布时间：2018-04-22 00:20

本文选题：阴郁绘画 + 悲剧性　；参考：《四川美术学院》2017年硕士论文

【摘要】：我的选题主要是总结分析中国当代艺术中具有哀伤感的阴郁绘画,总结出几种不同的伤感类型。在艺术领域中处于探讨精神性,悲剧性,伤感绘画的范畴。目前已发表的著作中大多只是单独谈精神性或是悲剧性,或是针对某个单一画家的作品进行研究分析,又或是针对某一特定历史环境下某个画家特殊的个人成长经历来谈绘画中的悲剧性。并没有人以分类的形式来看具有哀伤情绪的阴郁绘画,我想从时代的发展来看阴郁的产生以及阴郁在不同时代的不同体现,我想以这样的论文来概括当代绘画中具有哀伤情节的阴郁绘画产生的原因,以及强调在当代社会下这类阴郁绘画的社会意义。本文分为三个部分来叙述:一,阴郁性的体现更多是具有着悲剧性的色彩。阴郁性是一种传达给观者的视觉感受,这种阴郁可以是忧郁,也可以是孤独,或者是时间感,阴郁绘画所具有的这些特质是艺术家主动选择的立场。我想先从哲学、悲剧性、宿命论,精神性等方面探讨阴郁的形成与发展及具体表现。在中西方的文艺创作中,阴郁性的文艺作品都占据着极其重要的位置,千百年来有很多经典文艺作品都有着忧伤情调。绘画艺术来源于艺术家对生活的深刻感悟与思考,阴郁性就更具有丰富的社会文化内涵。二,浅析在中国当代艺术中,阴郁绘画的的形成与发展是如何紧密伴随着社会的变革而反映社会问题的。我的论文主要是分析中国的当代艺术中具有阴郁性的具象绘画。通过比较分析伤痕美术,新生代绘画,残酷青春绘画,这些不同时期的艺术现象,再具体结合张晓刚,丁方,尹朝阳,何森,谢南星,韦嘉,李继开。这几位艺术家的作品,通过分析他们的案例,来概括出阴郁绘画的几种类型。他们的作品都有着精神性以及阴郁伤感的气质,是什么造成了这种阴郁感?阴郁伤感的绘画背后承载着大量的信息。他们几个人代表着几类不同的阴郁绘画的方向,有的是战争问题带来的,有的是身份问题引发的,有的又是时间或历史事件带来的。有的又是社会发展与个体生命带来的伤感情绪。我想通过阐述他们的作品来罗列出几个不同类型的比较,也继而通过当代美术史的时代性线索,总结绘画创作在不同社会环境中哀伤感的体现,来体现这种具有精神性的阴郁感在当代社会生活中的重要性。也是生命个体所具有的挥之不去的永恒主题。三,阴郁绘画的重要性阴郁绘画中包含着悲剧性,精神性,废墟意识,哀伤感,忧郁与反思,人类存在的状态一直存在着多元价值的冲突。但是具有人类共性情感的悲剧本质是永恒的,在时代进程中,中国当代艺术的悲剧精神事实上已经在不断缩减。这其中是消费主义的风气、资本的力量、信仰的缺失、精神价值的匮乏、生命经验的单一,人们在时代发展的洪流中不能自己。对物质生活的不断追求,科技和网络的不断进步,使生活变得更加的惬意舒适,但整个社会似乎却是越来越孤独了。人们普遍存在着对一切事物都表现出不在意的冷漠,在看似忙碌充实的生活中却是终日沉浸在无聊、空虚和茫然中。阴郁绘画是发人深思的艺术作品,必然揭示人类的悲剧精神。而正是阴郁绘画将个体跟社会,情感跟现实,精神跟物质紧密相连,在历史的不断重演中,永远不会过时,永远是和人类共同经验有关的。生与死,爱与信仰,消逝与永恒,新的废墟建立在旧的废墟上.....这是人类经久不衰的主题;也是终极追问下的不确定,没有唯一的答案。世事无常,一切都在变化中。这种忧郁感伤只会随着历史的丰富,社会的动荡,生命过程的体验而加强,变得深刻,因此有着特殊的美。这种阴郁气质,带着沉重,夹杂着浪漫,又不同于悲观,更重要的是它怀揣着梦想与希望以及对未来的期待。同时又反应出时代问题,警示着世人。欣赏阴郁绘画能抚慰我们在现实生活中受到的创伤的心灵,引起观者的共鸣与忧思,帮助人们进一步细致的考量当时的社会背景与人们的生存状态。
[Abstract]:My topic is mainly to summarize and analyze the melancholy painting with sadness in Chinese contemporary art, and summarize several different types of sentimentality. In the field of art, it is in the field of spiritual, tragic, and sentimental painting. Most of the published works are only psychic or tragic, or for a single painter. The work is studied and analyzed, or a painter's special personal growth experience in a particular historical environment to talk about the tragedy of painting. No one is looking at the gloomy painting with sadness in the form of classification. I want to look from the development of the times to see the gloomy birth and the different embodiment of the gloom in different times. In this paper, we want to summarize the causes of the gloomy painting with the sad plot in contemporary painting, and emphasize the social significance of this kind of gloomy painting in contemporary society. This article is divided into three parts: first, the expression of gloomy and gloomy is more of the tragic color. Gloomy is a kind of visual feeling conveyed to the viewer. This kind of gloom can be melancholy, it can be lonely, or the sense of time. These qualities are the active choice of the artist. I want to discuss the formation and development of gloom from the aspects of philosophy, tragedy, fatalism and spirit. In the literary and artistic creation of the West and the west, the gloomy literary and artistic works are all It occupies an extremely important position, many classical literary works have a sad mood for thousands of years. Painting art comes from the profound understanding and thinking of the artist to life. The gloomy nature has more rich social and cultural connotation. Two, in the contemporary Chinese art, the formation and development of the gloomy painting is closely accompanied by the development of the Chinese contemporary art. The change of society reflects social problems. My thesis is mainly to analyze the gloomy figurative painting in Chinese contemporary art. Through comparative analysis of scar art, new generation painting, cruel youth painting, the artistic phenomena of these different periods, and then the specific combination of Zhang Xiaogang, Ding Fang, Yin Zhaoyang, Ho Sen, Xie Nan star, wejia, Li Jikai. The works of these artists, by analyzing their cases, generalizes several types of gloomy paintings. Their works are both spirituality and gloomy and sentimental temperament. What is the cause of this gloomy feeling? The painting of gloomy sadness carries a lot of information. Several of them represent a few different types of gloomy paintings. Some are brought about by war problems, some are caused by identity problems, some are brought about by time or historical events. Some are also the sentimentality brought about by social development and individual life. I want to list a few different types of comparisons by elaborating their works, and then through the epochal clues of contemporary art history, It is the embodiment of sadness in the different social environment to reflect the importance of this kind of spiritual melancholy in contemporary social life. It is also the eternal theme of the life individual. Three, the importance of gloomy painting contains tragedies, spirit, ruins consciousness, sadness, melancholy and melancholy. Reflection, the state of human existence has been in the conflict of multiple values. But the tragic essence of human common feelings is eternal. In the course of the times, the tragic spirit of Chinese contemporary art has been reduced in fact. This is the custom of consumerism, the power of capital, the lack of faith, the lack of spiritual value, and the lack of spiritual value. The single life experience, people can not be themselves in the time of the development of the times. The continuous pursuit of material life, the continuous progress of science and technology and the network make life more comfortable and comfortable, but the whole society seems to be more and more lonely. There is a general existence of indifference to everything, which seems to be busy and full. Life is always immersed in boredom, emptiness and vacant. Gloomy painting is a thought-provoking art work, which will inevitably reveal the tragic spirit of human beings. But it is gloomy painting that connects the individual with society, emotion and reality, spirit and material. In the continuous replay of history, it is never out of date, and is always the common experience of human beings. It is about life and death, love and faith, death and eternity, new ruins built on old ruins... This is the eternal theme of human beings. It is also the ultimate question of uncertainty, no only answer. The world is impermanence, everything is changing. This melancholy sentimentality will only follow the richness of history, social turbulence, and the experience of life process. To strengthen, become profound, and therefore have a special beauty. This gloomy temperament, with heavy, mixed with romance, and different from pessimism, and more important is that it carries dreams and hopes and expectations for the future. At the same time, it reacts to the problems of the times, and warns the world. The enjoyment of gloomy painting can soothe the trauma we suffer in real life. The soul, arousing the sympathy and worry of the audience, helps people to further consider the social background and the living condition of the people at that time.

【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

【参考文献】