论中国写实肖像油画创作研究
发布时间:2018-04-22 14:10
本文选题:写实性 + 肖像油画 ; 参考:《沈阳师范大学》2017年硕士论文
【摘要】:写实肖像油画作为众多艺术形式中的一种以人物为主的绘画艺术表现形式,它是人物油画创作常见的选择方式。经过几百年的发展和变化,形成了非常系统完善的创作形式。随着中国绘画艺术的繁荣与发展,中西方艺术的交流与融合,使得写实肖像油画在中国得到了很好的发展,出现了许多优秀的写实肖像油画艺术家。这些优秀的艺术家们创作了大量优秀的绘画作品,为之后的学习者提供了宝贵的经验。本论文通过对写实肖像油画的起源和发展历程的阐述,以及对写实肖像油画在中国不同时期的油画现状及特点的介绍和分析,并借鉴中国知名艺术家对写实肖像油画的艺术观点,风格及代表作品,如靳尚谊、杨飞云、刘小东、忻东旺画家们一些粗浅的学习和研究,并结合自身的理解进行几个方面的探讨,从而对写实肖像油画创作在不同时期不同环境下,如何表达人物形象,反映画家的内心世界,揭示写实肖像油画要坚持以人本主义精神为基本原则,同时更好的把握和继承本民族优良的传统文化为己任。通过对本论文的认真撰写,本人对写实肖像油画创作有了更加深刻的了解,对提高自身的肖像油画创作水平和绘画能力有极大的帮助。同时也增强了对写实肖像油画创作的自信心,对今后进行肖像油画创作汲取了重要的知识和经验。此外,本人将会把写实肖像油画创作坚持不懈地进行下去。展望未来,在满足当下大众审美需求的同时,怎么用肖像油画的写实风格去体现当今社会文化的精神追求,怎样将中国传统艺术观念和西方绘画精髓进行合理的融合等,还有诸多的学术问题有待于我们年轻一代进行更深入更努力的探讨和研究。本论文主要采用图像收集法和归纳文献资料法来进行探讨和研究,已达到对该课题深入研究的目的。图像收集法首先是收集与论文相关的写实肖像画的作品,这是准备阶段。其次,是分析和解释相关的写实肖像画作品,后者更好的诠释前者,两者相辅相成,缺一不可。归纳文献资料法是收集与论文相关的写实肖像画的艺术理论和美术史。其主要目的是了解历代美术评论家对肖像画的评述和独到的看法,并结合肖像画的时代背景进一步探讨和研究。
[Abstract]:Realistic portrait oil painting, as one of the many artistic forms of painting, is a common choice of character painting. After hundreds of years of development and change, formed a very systematic and perfect form of creation. With the prosperity and development of Chinese painting art and the exchange and integration of Chinese and Western art, realistic portrait oil painting has been well developed in China, and many excellent realistic portrait oil painting artists have emerged. These outstanding artists have created a large number of excellent paintings, providing valuable experience for later learners. This paper describes the origin and development of realistic portrait oil painting, and introduces and analyzes the present situation and characteristics of realistic portrait oil painting in different periods in China. And draw lessons from the artistic views, styles and representative works of Chinese well-known artists on realistic portrait paintings, such as Jin Shangyi, Yang Feiyun, Liu Xiaodong and Xin Dongwang painters, who have studied and studied some superficial works. And combined with their own understanding of several aspects of the discussion, so that realistic portrait oil painting under different circumstances in different periods, how to express the image of the character, reflecting the artist's inner world, To reveal the realistic portrait oil painting should adhere to the humanistic spirit as the basic principle, and at the same time better grasp and inherit the fine traditional culture of this nation as its own responsibility. Through the careful writing of this thesis, I have a deeper understanding of realistic portrait oil painting creation, which is of great help to improve the level of portrait oil painting creation and painting ability. At the same time, it also strengthens the self-confidence of realistic portrait oil painting creation, and draws important knowledge and experience for future portrait oil painting creation. In addition, I will carry on the realistic portrait oil painting unremittingly. Looking forward to the future, how to use the realistic style of portrait oil painting to reflect the spiritual pursuit of contemporary social culture, how to combine the traditional Chinese art concept with the essence of Western painting, etc., while satisfying the aesthetic needs of the masses at present, and how to use the realistic style of portrait oil painting to reflect the spiritual pursuit of today's social culture. There are many academic issues for our younger generation to explore and study more deeply and diligently. In this paper, the image collection method and the inductive literature method are mainly used to discuss and research, which has achieved the purpose of in-depth research on the subject. The method of image collection is to collect the works of realistic portraits related to the thesis, which is the preparatory stage. Second, the analysis and interpretation of the relevant realistic portrait works, the latter better interpretation of the former, the two complementary, indispensable. The method of summarizing literature is to collect the art theory and art history of realistic portrait painting. Its main purpose is to understand the comments and original views of the art critics of the past dynasties on portrait painting, and to further explore and study the background of the portrait painting era.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
【参考文献】
相关期刊论文 前3条
1 张祖英;;对新时期中国肖像油画发展的思考[J];中国美术;2011年05期
2 韩禹锋;;浅析建国初期油画的现实主义发展以及苏联艺术的影响作用[J];青年文学家;2011年15期
3 张祖英;中国油画肖像艺术百年述评(上)[J];美术向导;1997年01期
相关硕士学位论文 前7条
1 张玄;油画中的“人文精神”与“现实关怀”[D];西安美术学院;2015年
2 刘妍婷;油画肖像的时代特征[D];上海师范大学;2014年
3 邹士梅;论刘小东油画的现实主义特征[D];苏州大学;2014年
4 岳德强;论油画人物的肖像画创作[D];内蒙古师范大学;2012年
5 李婷;忻东旺作品中的农民工形象解读[D];海南师范大学;2012年
6 王向华;靳尚谊油画艺术研究[D];西北师范大学;2011年
7 邵建明;论消费时代下中国当代写实油画中的人文关怀[D];河北师范大学;2009年
,本文编号:1787558
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/1787558.html