超现实主义绘画中的原始性趣味研究

发布时间：2018-04-22 23:09

本文选题：超现实主义 + 荒诞　；参考：《河北师范大学》2017年硕士论文

【摘要】：绘画艺术属于形而上者,就其价值而言,作品的精神寄托往往高于技巧的展示。超现实主义绘画的产生是在绘画语言方面的创新,而对于作品的精神性来说,超现实主义绘画是感情的无保留宣泄。我喜欢超现实主义作品中荒诞梦境似的场景,绘画中透露出的荒诞和梦幻,使我们天马行空的享受自由的状态,让我们暂时性脱离“规则”和“秩序”的束缚,体会荒诞的,梦一般的感觉。与此同时,我也喜欢原始性绘画。本文提到的原始性趣味就是指具有原始倾向的绘画因素,它本身的原始性趣味(质朴,自然,纯真等等),深深吸引着我。充满质朴和纯真的作品,恰恰能找回物象的单纯,正因为这种纯真和质朴,才能够释放天性,摆脱世俗的框架。而在一些超现实主义绘画作品中往往也会显示出原始性趣味,两种绘画语言的组合能发挥各自的语言张力,并展现出独特的审美。所以我在研究生期间,常常将两者融合在自己的创作作品中,并一直钟情于此类题材的油画创作。本论文写作的目的在于,面对超现实主义绘画作品,我们不仅仅能站在超现实的角度来欣赏,而且可以结合作品中的原始性趣味进行品评。本论文共四章,前两章的前两节分别介绍超现实主义和原始绘画、原始主义绘画的产生以及艺术特色,第二章的第三节阐述了贡布里希对于原始艺术趣味特征的描述。第三章列举了一些超现实主义艺术家的作品,立足于作品本身,分析其中的超现实因素。论文通过三个方面:即作品的题材、表现方法、精神层面,并结合贡布里希在《偏爱原始性—西方艺术和文学中的趣味史》中提到的原始性绘画特征的判定标准:即最低限度模式、基线模式,对超现实主义艺术家艺术作品的原始性特征进行探究。第四章主要结合自己的油画作品,总结自己运用超现实和原始主义的风格特征因素进行创作的感悟,也算是对自己研究生期间创作心得的一个总结。其实文章的梳理过程恰恰也是我研究生期间艺术创作的过程。在这个过程中,使我在油画创作中找到了自己的方向,更加深刻的认清了自己,也懂得了许多人生哲理。对于超现实主义绘画和原始主义绘画而言,学术界对于它们的论述很多,但往往只是立足于两种风格本身进行单方面来论述,而超现实主义绘画范围内的原始性趣味因素则缺乏理论研究,文献资料较少,这种形式在油画创作中有所运用,所以从这方面论述油画创作是有必要的。
[Abstract]:Painting art belongs to the metaphysical. In terms of its value, the spiritual sustenance of works is often higher than the display of skills. The creation of surrealist painting is an innovation in painting language, but for the spirit of works, surrealist painting is an unreserved catharsis of emotion. I like the absurd and dreamlike scenes in surrealist works, the absurdity and illusion revealed in painting, which make us enjoy the state of freedom, let us temporarily break away from the shackles of "rules" and "order" and realize the absurdity. A dreamlike feeling. At the same time, I also like primitive painting. The original interest mentioned in this paper refers to the painting factor with primitive tendency, and its primitive interest (simple, natural, pure and so on) deeply attracts me. The works full of simplicity and innocence can precisely find the simplicity of the object, because of this simplicity and simplicity, it can release nature and get rid of the secular framework. But in some surrealism painting works often also will show the primitive interest, the two kinds of painting language combination can display the respective language tension, and displays the unique esthetic. So when I was a graduate student, I used to blend the two into my own creations, and always loved oil paintings of this kind. The purpose of this thesis is that in the face of surrealist painting, we can not only appreciate it from the perspective of surrealism, but also evaluate the original interest in the works. There are four chapters in this thesis. The first two sections of the first two chapters introduce surrealism and primitive painting, the origin of primitive painting and the artistic characteristics respectively. The third section of the second chapter describes Gonbridge's description of the characteristics of primitive art interest. The third chapter enumerates some surrealist artists' works, based on the work itself, analyzes the surrealistic factors. The thesis is divided into three aspects: the theme of the work, the method of expression, the spiritual level, And combined with the criteria of judging the characteristics of primitive painting mentioned by Gombrich in the History of interest in Western Art and Literature: the minimum Model, the baseline Model, This paper probes into the primitive features of surrealist artists' works of art. The fourth chapter mainly combines their own oil painting works, summarizes their use of surreal and primitive characteristics of the style of factors for creative perception, is also a summary of their graduate school experience. In fact, the article combing process is also my graduate art creation process. In this process, I found my own direction in oil painting creation, a deeper understanding of themselves, but also understand a lot of life philosophy. For surrealist painting and primitive painting, the academic circles discuss them a lot, but they are often based on the two styles themselves to discuss unilaterally. But the surrealism painting scope primitive interest factor lacks the theory research, the literature material is less, this kind of form has the application in the oil painting creation, therefore from this aspect discusses the oil painting creation is necessary.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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