浅谈写实水墨人物画的艺术语言

发布时间：2018-04-23 12:19

本文选题：写实 + 传统　；参考：《西安美术学院》2013年硕士论文

【摘要】：写实水墨人物画的艺术语言、艺术面貌不仅仅在于创作方法和风格上的展现，而最根本之处在于“写实”的精神，是将技巧、认识、情感融合在一起，以真情实感的方式表述自己的精神诉求。它不同于传统人物画意象造型的观念，而是融入了西方写实绘画中严谨的造型观和素描透视的原理，在强调继承传统笔墨特性的基础之上，加以革新的一种绘画艺术形式。区分传统人物画和写实水墨人物画的根本是造型方法的不同。写实水墨人物画起步较晚，历史不足百年。在五四新文化运动中，由于在艺术形式和表现手法上受到西画写实主义和现实主义的影响,以徐悲鸿、蒋兆和为代表的人物画家融西入中，借鉴西画中写实造型的观念，寻找到了写实造型与传统笔墨相结合的新画风。“徐蒋体系”开辟了水墨人物画发展的新局面，并且形成了一套完整的绘画教学体系。经由几代人物画家的实践和探索，写实水墨人物画的发展达到了空前繁荣，出现了一批卓有成就的画家，诸如黄胄、叶浅予、方增先、刘文西、周思聪、王子武等先辈；在当代具有实力的写实画家有李伯安、赵奇、刘国辉、陈玉铭、任惠中、毕建勋等。他们在深入生活、继承学习传统人物画笔墨的同时，，结合了写实造型的表现手法，并且在画面中采用新的构成因素，丰富了水墨人物画的表现力，带动了水墨人物画在造型与笔墨两方面的相应变化。时代在进步，社会在发展，写实水墨人物画也在不断的发展，借鉴、汲取多种多样的艺术营养来丰富其表现形式，在承认需要融入西方绘画写实和素描透视重要性的同时，追求着造型表现与笔墨美感的互融，在不失造型准确性的同时保留了中国传统笔墨的情趣。写实水墨人物画家以其独特的艺术语言和个性化的表现方式,表达了自己对当下现实社会的生活体验和思想感受，注重探索研究写实绘画的本质和寻求艺术美的特征，形成了广阔的语言视角。所以，写实水墨人物画促进了当代水墨人物画的多元性发展，并成为当今中国画坛备受关注且又最具活力的艺术表现手法之一。本论文主要从写实水墨人物画艺术语言的各个层面进行探讨。引言部分提出选题的依据、研究的方法和研究的意义等。论文共分为五个部分进行论述。第一、二部分着重论述写实水墨人物画的概念及其形成发展,通过中西绘画融合发展的脉络论述中国写实水墨人物画的定位；第三部分重点分析和研究写实水墨人物画艺术语言的独特性，论述中国传统哲学思想对写实水墨人物画所起到的影响，并结合画家作品分析写实造型语言和笔墨语言在两者结合方面的探索,强调立足于人物造型和笔墨语言兼容发展的新角度，以及写实水墨人物画的艺术精神和文化意义等方面来论述；第四部分结合代表性画家的作品分析论述当下写实水墨人物画主题艺术风格；第五部分是对写实水墨人物画艺术语言的思考和发展预策，并结合自己创作的体会认知在创作实践中如何实现造型和笔墨的融合。
[Abstract]:The artistic language of realistic painting of ink and ink is not only the expression of the creative method and style, but the essence lies in the spirit of "realistic", which combines skill, understanding and emotion together and expresses his spiritual appeal in a real way. It is different from the concept of traditional figure painting. In the western realistic painting, the rigorous modeling view and the principle of sketch perspective are a kind of painting art form which emphasizes inheriting the characteristics of the traditional ink and ink. The difference between the traditional figure painting and the realistic painting of ink and ink is the difference of the modeling method. In the new cultural movement, because of the influence of the western painting realism and realism in the form of art and the expression of expression, Xu Beihong and Jiang Zhaohe as the representative of the figure painters are integrated into the west, drawing on the concept of realistic modeling in the western painting, looking for a new painting style combining the realistic modeling with the traditional brush and ink. "Xu Jiang system" opened up the ink ink. The new situation of the development of the figure painting has formed a complete set of painting teaching system. Through the practice and exploration of several generations of figure painters, the development of realistic painting of ink and wash figures has reached an unprecedented prosperity. A number of outstanding artists, such as Huang Zhou, Yee, Fang Xian, Liu Wenxi, Zhou Sicong and Wang Ziwu, have been developed. The realistic painter of strength has Li Boan, Zhao Qi, Liu Guohui, Chen Yuming, Ren Huizhong, Bi Jianxun and so on. They are in deep life, inherit the traditional figure brush and ink, combine the expressive techniques of the realistic modeling, and use the new composing factors in the picture to enrich the expressiveness of the ink figure painting and drive the ink figure painting in the shape. The corresponding changes in two aspects of the pen and ink.
In the progress of the times and the development of society, the painting of realistic ink and ink figure painting is also developing continuously, drawing on various kinds of artistic nutrition to enrich its expression form, while acknowledging the importance of integrating western painting realism and sketch perspective, and pursuing the blending of styling expression with the aesthetic feeling of pen and ink, while keeping the accuracy of the shape preserved. With the unique artistic language and individualized expression, the realistic ink and ink painter expressed his own experience of life and thought of the present real society, focused on exploring the essence of realistic painting and seeking the features of artistic beauty, and formed a broad language perspective. Painting has promoted the pluralistic development of contemporary ink figure painting, and has become one of the most interesting and dynamic artistic expressions in Chinese painting nowadays.
This paper mainly discusses the various aspects of the artistic language of the realistic painting of ink and wash. The introduction puts forward the basis of the topic, the method of research and the significance of the research. The thesis is divided into five parts. The first, second part focuses on the concept of the realistic painting of ink and ink and its development, and the development of the integration of Chinese and Western paintings. The third part focuses on the analysis and study of the uniqueness of the artistic language of the realistic ink and ink figure painting, and discusses the influence of Chinese traditional philosophical thought on the realistic painting of ink and ink, and combines the artist's works to explore the combination of the realistic modeling language and the pen and ink language. Emphasis on the new angle based on the development of character modeling and language compatibility, as well as the artistic spirit and cultural significance of realistic painting of ink and ink. The fourth part combines the works of representative painters to analyze the artistic style of the present realistic ink figure painting; the fifth part is the artistic language of the realistic ink figure painting. And how to realize the integration of modeling and painting in creative practice.

【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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