安塞农民画艺术研究

发布时间：2018-04-23 22:29

本文选题：农民画 + 起源　；参考：《延安大学》2014年硕士论文

【摘要】：民间美术的研究近几年来持续成为了热点，尤其是非物质文化遗产的保护越来越成熟并受到各界人士的关注，农民画也渐渐被推上了研究的顶端。很多学者对于相关问题进行了广泛的讨论，但还有些需要继续深入的方面，对安塞农民画与传统艺术、民俗、地域等方面的研究，目的是在以往研究的基础上思考一些新的问题。全文共分为五章，第一章是引言，第二章以三个小节的篇幅对安塞农民画起源作了论述，第一节说了农民画的概念。第二小节介绍了安塞农民画的生存状态。第三小节对安塞农民画的传承体系做了介绍，主要包括传承谱系、安塞县的几种民间美术形式和传承的特点。第三章用三部分的篇幅对安塞农民画与民俗文化的关系作了论述，第一部分论述了民间美术与农民画的关联。第二部分深入民间美术内部讨论了民族传统文化对安塞农民画的影响。第三部分在前两部分的基础上论述了安塞农民画的民俗内涵。第四章对安塞农民画的审美特征做了比较，分别从表现方式、创作规律和审美启示三个角度去研究安塞农民画的审美特征。第五章在总结前面几章的基础上，对现有的问题与以后的发展做了剖析，第一小节讨论了安塞农民画在高校教育中对学生的作用是否具有可行性。第二小节指出了安塞农民画在今后的发展道路上存在的问题以及需要保留的特色。最后一小节论述了安塞农民画独特的审美内涵和价值对当代美术创作的启示。安塞农民画是融合了剪纸、刺绣、炕围画等民间传统艺术于一体的新诞生的民间艺术种类，是一种复合型的交叉学科，集造型艺术与视觉艺术于一体的艺术形式。独特的地域环境造就了安塞农民画与南方农民画的细腻全然不同的粗犷、古朴的艺术特色。平淡天真的用笔和随意自由的思维，原始纹样的造型，，散发着远古的气息，使得安塞农民画不同与其他绘画类别，形成了独有的艺术魅力与审美内涵。
[Abstract]:The research of folk art has become a hot spot in recent years, especially the protection of intangible cultural heritage has become more and more mature and has been concerned by people from all walks of life, the peasant painting has gradually been pushed to the top of the research. Many scholars have carried out extensive discussions on related issues, but there are still some aspects that need to be further explored, such as the study of Ansai peasants' paintings and traditional art, folklore, geography, and so on. The aim is to think about some new problems on the basis of previous studies. The paper is divided into five chapters. The first chapter is the introduction. The second chapter discusses the origin of Ansai Peasant painting in three sections. The first section describes the concept of Peasant painting. The second section introduces the living state of Ansai Peasant painting. The third section introduces the inheritance system of Ansai Peasant painting, including inheritance pedigree, several folk art forms and inheritance characteristics of Ansai County. The third chapter discusses the relationship between Ansai Peasant painting and folk culture in three parts. The first part discusses the relationship between folk art and peasant painting. The second part discusses the influence of traditional culture on Ansai Peasant painting. The third part discusses the folk connotation of Ansai Peasant painting on the basis of the first two parts. The fourth chapter compares the aesthetic characteristics of Ansai Peasant painting, and studies the aesthetic characteristics of Ansai Peasant painting from three angles of expression, creation law and aesthetic enlightenment. On the basis of summarizing the previous chapters, the fifth chapter analyzes the existing problems and the development in the future. The first section discusses the feasibility of the role of Ansai Peasants painting in college education. The second section points out the problems and characteristics of Ansai Peasant painting in the future. The last section discusses the unique aesthetic connotation and value of Ansai Peasant painting. Ansai Peasant painting is a new kind of folk art which combines traditional folk art such as paper-cut, embroidery, Kang Wei painting and so on. It is a kind of compound interdisciplinary subject, which integrates plastic art and visual art. The unique regional environment makes Ansai Peasant painting and Southern Peasant painting exquisite and completely different, primitive artistic characteristics. Plain and innocent pen and free thinking, primitive patterns of modeling, emitting ancient breath, make Ansai farmers draw different from other painting types, forming a unique artistic charm and aesthetic connotation.
【学位授予单位】：延安大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J219

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