西方现代绘画中的线条运用与画家的个性化审美观念
发布时间:2018-04-24 00:36
本文选题:线条 + 装饰 ; 参考:《山东师范大学》2013年硕士论文
【摘要】:线条作为绘画语言的主要元素之一,,从古至今展示着无穷的艺术魅力。但由于时代、种族、地域、文化等方面的不同,运用线条的观念也不同,由此产生出线条的不同风貌。西方古代绘画,线条往往具有装饰性风格特征,线条的表现借助自然形象,并进行装饰化处理,使之更具美感,基本反映自然原型;文艺复兴至十九世纪绘画,线条往往具有写实性风格特征,线条的运用借助自然形象,模仿自然形象,基本反映自然原型;西方现代绘画,线条往往注重强烈表达画家的情感,具有表现性风格特征,线条的运用借助自然形象,又脱离自然形象,一些现代艺术家通过对自然形象概括、归纳、提炼、夸张和升华,有力地表现个性化的情感与观念。本文把西方现代绘画中的线条作为研究对象,希望通过此课题,更深入地研究西方现代绘画中的线条运用以及线条所体现的画家的个性化审美观念。 第一部分将西方绘画中线条的流变进行相对系统地归纳总结。西方古代绘画,如希腊瓶画,线条往往具有装饰性风格特征;文艺复兴至十九世纪绘画,线条往往具有写实性风格特征;西方现代绘画,线条往往注重强烈表达画家的情感,具有表现性风格特征。 第二部分呈上重点分析表现性线条,所谓表现性线条,即不再满足于装饰性美感和写实性真实感,而是强化画家个人情感的个性化表达,呈现出主观化的、非写实性的、因人而异、因情而异的线条,这种线条具有情感表现性,成为西方现代绘画中的主流。本部分从表现轮廓与结构、节奏韵律、装饰美感、空间关系、抽象意涵这五个方面进行详细的解析,说明西方现代绘画中线条运用观念的发展与变化。 第三部分是对西方现代画家线条中所体现的个性化审美观念进行解析。随着社会的进步与思想的解放,人们的价值取向发生了变化,审美意识也随之变化,更加强调自我的个性与自身价值的肯定,开始对个性化的、与众不同的作品着迷,随着观念的转变使得现代创作也是在追求着这种“个性之美”。现代主义艺术追求感性、个性、神秘、丰富多变,着意表现内心的情感世界,有强烈的自我精神的肯定。现代审美是追求个性、追求人的内在精神、由内容转向于形式的热衷及感性的颠覆,使其成为富有意义、纯粹性与象征的艺术手法。在这种寻求个性,富有意义与象征的新的审美观念的影响下,线条的运用获得了新的开拓,现代艺术们运用线条的时候追求自由、放逸。他们笔下或简约、或狂野、或颤抖、或厚重的线条表现,都深刻体现出了他们率真的、壮美的、崇高的、自由性的和悲剧性的等诸多的审美观念。
[Abstract]:As one of the main elements of painting language, lines show endless artistic charm from ancient times to now. But because of different times, race, region, culture and so on, the concept of using lines is also different, resulting in different styles and features of lines. Western ancient painting, lines often have decorative style characteristics, the performance of lines with the help of natural images, and decorative treatment to make it more aesthetic, basically reflect the natural archetype; Renaissance to the nineteenth century painting, Lines often have realistic style characteristics, the use of lines with the help of natural images, imitation of natural images, basically reflect the natural archetype; Western modern painting, lines often pay attention to strong expression of the artist's feelings, with expressive style characteristics, The use of lines with the help of the natural image, but also divorced from the natural image, some modern artists through the natural image summary, induction, extraction, exaggeration and sublimation, the strength of the expression of personalized emotions and ideas. This article regards the line in the western modern painting as the object of study, hoping that through this topic, the application of the line in the western modern painting and the individualized aesthetic concept of the painter reflected by the line will be further studied. The first part summarizes the evolution of lines in western painting relatively systematically. Western ancient paintings, such as Greek bottle paintings, often have decorative style characteristics; from Renaissance to the nineteenth century, lines often have realistic style characteristics; Western modern painting, lines often pay attention to strong expression of the artist's feelings, Characteristic of expressive style. The second part focuses on the analysis of expressive lines, the so-called expressive lines, that is, no longer satisfied with the decorative aesthetic and realistic sense, but to strengthen the individual expression of the painter's feelings, showing subjective, non-realistic, The lines, which vary from person to person, have emotional expressiveness and become the mainstream of modern western painting. This part analyzes the outline and structure, rhythm and rhythm, decorative aesthetic sense, spatial relationship and abstract meaning in order to explain the development and change of the concept of line application in modern western painting. The third part is the analysis of the individualized aesthetic concept embodied in the lines of modern western painters. With the progress of society and the emancipation of thought, people's value orientation has changed, the aesthetic consciousness has also changed, more emphasis has been placed on their individuality and affirmation of their own value, and they have begun to be fascinated by individualized and distinctive works. With the change of concept, modern creation is also pursuing the beauty of personality. Modernist art pursues sensibility, individuality, mystery, richness and variety. Modern aesthetics is the pursuit of personality, the pursuit of human spirit, from the content to the form of passion and emotional subversion, making it a meaningful, pure and symbolic art techniques. Under the influence of the new aesthetic concept of seeking individuality, meaning and symbolism, the application of lines has gained a new development, and modern art pursues freedom and relaxation when they use lines. Their simple, wild, trembling, or thick lines deeply reflect their frank, magnificent, noble, free and tragic aesthetic concepts.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J205
【参考文献】
相关期刊论文 前1条
1 买新民;中国画的线及基本训练[J];美术向导;1995年03期
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