莫兰迪“空灵淡雅”的绘画思想探究

发布时间：2018-04-24 06:59

本文选题：莫兰迪 + 空灵淡雅　；参考：《浙江理工大学》2017年硕士论文

【摘要】：莫兰迪“空灵淡雅”的绘画思想,是民族艺术精神深藏的呼唤;是烦躁世态中寻求清净的需要;亦是中国绘画发展中寻求到的新契机。莫兰迪被誉为二十世纪最伟大的画家之一,其特殊的绘画风格是意大利绘画史上的个案,并被当作欧洲艺术史上少有的资产,在西方绘画艺术中极具研究价值。同时,莫兰迪还被誉为“最接近中国绘画的欧洲画家”;啸声先生引巴尔蒂斯的话把其称作“洋”八大,钟涵先生用“澄怀观道”概括其艺术奥秘。在中西艺术交融的今天,莫兰迪绘画中与中国绘画精神相契合的部分同样具有研究价值,以此奠定了本文对莫兰迪“空灵淡雅”的绘画思想研究,也为笔者以西方文化体系为立足点,以中国绘画精神为参考多维度审慎地研究莫兰迪“空灵淡雅”的绘画思想找到了依据。本论文分为四个部分,从中西方不同角度客观且较全面的对莫兰迪“空灵淡雅”的绘画思想进行探:一、从莫兰迪绘画题材的选择入手,介绍莫兰迪对绘画本质的追求以及绘画观念,是形成“空灵淡雅”绘画思想的前提。二、通过人文修养、审美境界的内在因素以及意大利传统绘画、西方现代艺术流派和20时代大环境影响下的外在因素两大方面研究莫兰迪“空灵淡雅”的绘画思想形成。因其内在因素与中国思想高度契合,在研究中以中国思想为参考进行分析。三、通过对莫兰迪极简的造型、淡雅的色彩、空灵的画面及画面意境的探究,分析其“空灵淡雅”的绘画思想在画面的体现。四、依据莫兰迪在西方体系中却又在一定程度上与中国绘画艺术精神相契合的绘画特有的空灵淡雅”的绘画思想,多角度探讨了在中西融合下中国绘画的发展与思考。莫兰迪一生所坚守的中庸之道,不追随时代却又超越于时代,是一位在艺术探索之路上真正的思想者,是一位真正的画家诗人,画面中安静的生命感是当代社会中不可或缺的。
[Abstract]:Morandi's "empty and elegant" painting thought is the call of the national art spirit, the need to seek cleanliness in the restless world, and the new opportunity in the development of Chinese painting. Morandi is regarded as one of the greatest painters in the 20th century. His special painting style is a case in the history of Italian painting and is regarded as a rare asset in the history of European art. At the same time, Morandi is also known as "the closest European painter to Chinese painting". Mr. Xiao Sheng quoted Baltiz as calling it "the eighth Congress of the Foreign Ocean", and Zhong Han summed up his artistic mystery with "Chenghuai Guan Dao". In today's blend of Chinese and Western art, the part of Morandi's painting that fits with the spirit of Chinese painting has the same research value, thus laying a foundation for the study of Morandi's "emptiness and elegance" in this paper. It also provides a basis for the author to study Morandi's "empty and elegant" painting thought carefully from the point of view of western cultural system and the spirit of Chinese painting. This paper is divided into four parts, from different angles of China and the West objective and more comprehensive exploration of Morandi's "empty and elegant" painting thought: first, from the Morandi painting theme selection, To introduce Morandi's pursuit of the essence of painting and the concept of painting is the premise of forming the idea of "emptiness and elegance". Second, through the humanities cultivation, the internal factor of the aesthetic realm and the Italian traditional painting, the western modern art school and the external factor under the influence of the great environment of 20 ages, the paper studies the formation of Morandi's "emptiness and elegance" painting thought. Because its internal factor is highly consistent with Chinese thought, it is analyzed by reference of Chinese thought. Thirdly, through the exploration of Morandi's minimalist modeling, elegant color, empty picture and artistic conception of the picture, this paper analyzes the embodiment of his "emptiness and elegance" painting thought in the picture. Fourthly, according to Morandi's idea of painting in the western system, which to some extent coincides with the spirit of Chinese painting art, this paper probes into the development and thinking of Chinese painting under the combination of China and the West. Morandi is a true thinker on the road of artistic exploration and a real painter poet. The quiet sense of life in the picture is indispensable in the contemporary society.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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