论石涛的“反潮流”艺术思想与其山水画

发布时间：2018-04-24 16:29

本文选题：石涛 + “反潮流”　；参考：《河南师范大学》2017年硕士论文

【摘要】：在清代山水画坛以“四王”复古为主的潮流中,石涛无异于一股逆流而进的激流,因其不契合时人的风尚而“反潮流”,成就“自我”。他的山水画风格多变、气息生动,在古人成果的基础上,不断的突破,有着鲜明的个性,虽无法扭转当时画坛的复古风气,但是却打破了画坛的沉闷,带动一些画家对艺术新的思考,对当时画坛和后世都有着重要的影响和意义。笔者认为要想对一个艺术家的作品进行准确的分析,那么就必须把他放在特定的历史背景中,结合其思想用历史的眼光去加以审视,才能对其艺术有深入全面的认识。本文的着重点将放在:一,以明末清初为背景,分析当时山水画坛的主流思想及石涛迥异于画坛的艺术思想的具体内容和演进过程;二,以史为线,将石涛置身于整个绘画发展的时代背景中进行比较研究,结合他所有超前的艺术思想,探讨其在山水画作品中的具体体现和影响,以及其所带来的意义。试图从作品本位角度出发,突破历史上对石涛研究的一些旧思路,在理解“反潮流”具体概念的前提下,用比较和图像分析的方法,将论文分为五个章节进行论述,第一章是对石涛“反潮流”艺术思想的概述,简要陈述“反潮流”艺术思想的概念,以及石涛所处时代山水画坛的主流思想和石涛“反潮流”艺术思想的具体内容。第二章是探讨石涛“反潮流”艺术思想的成因,包括影响石涛“反潮流”艺术思想形成的时代背景和个人因素。第三章是进一步分析其不同时期“反潮流”艺术思想的演进过程,深入挖掘其思想内涵。第四章着重写石涛“反潮流”艺术思想对其山水画的影响,先简要欣赏他的山水画作品,再进一步分析其“反潮流”艺术思想在他山水画作品中的具体体现,这是本文的主要章节。第五章主要介绍石涛“反潮流”艺术思想的意义,分别从对清代画坛的影响、民国时期石涛艺术思想影响的“再出现”和其现代意义三个方面进行展开。这样,通过结合石涛的艺术思想对其山水画作品及他在实践中的体现进行综合分析,可以清楚地揭示出石涛“反潮流”艺术思想的精髓和本质所在,从而达到对石涛画学的再认识,最后我会把对石涛的理解和认识争取落实到自身的学习上,取其精华,做到学以致用。
[Abstract]:In the trend of "four kings" returning to the ancient times in the landscape painting circle of Qing Dynasty, Shi Tao is no different from a current that goes against the current and goes into a torrent, "counter the tide" and achieve "self" because of its incongruity with the style of the people at that time. His style of landscape painting is changeable and vivid. On the basis of the achievements of the ancients, he has a distinctive personality. Although he can not reverse the retro style of the painting world at that time, he has broken the dreariness of the painting world. Driving some painters to think of new art has important influence and significance to the painting world and later generations. The author believes that in order to analyze an artist's works accurately, he must be placed in a specific historical background, and his thoughts should be examined from a historical perspective in order to have a thorough and comprehensive understanding of his art. This paper will focus on: first, taking the late Ming and early Qing dynasties as the background, to analyze the mainstream thinking of landscape painting and the specific content and evolution process of Shi Tao's artistic thought, which is completely different from the painting world; second, to take the history as the line, The author puts Shi Tao in the background of the whole painting development to carry on the comparative research, unifies all his advanced art thought, discusses its concrete embodiment and the influence in the landscape painting work, and its brings the significance. This paper attempts to break through some old ideas of Shi Tao's research in history from the angle of work standard. On the premise of understanding the concrete concept of "countercurrent", the paper is divided into five chapters by means of comparison and image analysis. The first chapter is an overview of Shi Tao's artistic thought of "anti-tide", a brief description of the concept of "anti-tide" art thought, as well as the mainstream thinking of landscape painting in Shi Tao's time and the concrete content of Shi Tao's "anti-tide" artistic thought. The second chapter is to discuss the causes of Shi Tao's artistic thought of "counter trend", including the background and personal factors that influence the formation of Shi Tao's "anti-tide" art thought. The third chapter is to further analyze the evolution of its "anti-trend" artistic thought in different periods, and dig into its ideological connotation. The fourth chapter focuses on the impact of Shi Tao's "anti-trend" art thought on his landscape painting. First, he briefly appreciates his landscape painting works, and then further analyzes the concrete embodiment of his "anti-trend" art thought in his landscape painting works. This is the main chapter of this article. The fifth chapter mainly introduces the significance of Shi Tao's "anti-trend" art thought, respectively from three aspects: the influence on the painting world of Qing Dynasty, the "reappearance" of Shi Tao's artistic thought during the Republic of China and its modern significance. In this way, through the comprehensive analysis of Shi Tao's landscape painting works and his embodiment in practice, the essence and essence of Shi Tao's "anti-trend" art thought can be clearly revealed. In order to achieve the re-understanding of Shi Tao painting, finally I will try to understand and understand Shi Tao to their own learning, take its essence, so that learning can be applied.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】