丁方:绘画的理想坚守

发布时间：2018-04-25 12:13

本文选题：现代主义运动 + 中国的传统　；参考：《美术观察》2017年07期

【摘要】：正在21世纪,当代中国绘画继承了双重的反传统美学:一是在20世纪上半期进行的引进西方古典写实主义绘画,反对中国的传统绘画;二是在20世纪下半期进行的引进西方反传统的现代、后现代主义运动,反对西方的古典绘画。在这双重的反传统夹击下,被标举为"当代艺术"主流的绘画实质性地展现为反绘画的"波普、行为"游戏。当代艺术的反绘画运动,已经导致了已故美国美学家丹托宣告"艺术的终结"—"艺术终结",就是艺术丧失了自身的识别品质和标准,"艺
[Abstract]:In the 21st century, contemporary Chinese painting has inherited the double anti-traditional aesthetics: first, the introduction of Western classical realism painting in the first half of the 20th century, against the traditional Chinese painting; The second is the introduction of western anti-traditional modern, post-modernism movement in the second half of the 20th century, and the opposition to western classical painting. Under the attack of this double anti-tradition, the mainstream painting of "contemporary art" is presented as the game of "pop, behavior". The anti-painting movement of contemporary art has led the late American aesthetician Danto to declare "the end of art"-"the end of art", which means that art has lost its own identification quality and standard.
【作者单位】：清华大学;
【分类号】：J203

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