从自然的梳理到艺术的升华论水彩画创作

发布时间：2018-05-01 22:47

本文选题：客观自然 + 主观意识　；参考：《东北师范大学》2013年硕士论文

【摘要】：自然是崇高而卓越的，它给予世界生机与活力，自然的再现应该是带有创造性和概括性的。人类所有的创造发明都来自对自然的细心观察和深刻体会，将客观事物的原生态更好的运用主观意识描绘事物及景观其本质，通过主观表现客观。水彩画将主观对客观自然的感知与人的精神巧妙的结合。创作，是画家内心世界的外部展现，创作的风格则是画家用以表达情感和思想的工具。艺术体现情感，同时情感的表达也是艺术的展现。水彩独特的表现技法和材料能让画家更好的捕捉自然的灵气，借景抒情，让更多的画家可以随心随性大胆创作。画家独特的观察视角、色彩敏感度、世界观、性格、修养、内涵、气质等都与绘画的风格有着密切的关联，都将赋予画面以独特性。本文正文内容主要是以观察视角出发，以创作为主题，从水彩画的构成、色彩、情感以及创作意识等几方面来进行论证。第一部分主要对水彩画的起源和传入我国的过程进行简单的梳理。从第二部分开始主要尝试从创作实践中的观察角度体现现实中的美，更好的培养构思主题和画面构成的能力，第三部分主要从创作意识和情感展现两个方面讨论，深入的研究分析水彩画创作的发展与深化，最后，根据水彩画当前的发展进程展望水彩画未来的发展趋势和前进道路。本课题虽然研究的是水彩画创作中从观察体会、感受自然到画面的个案，但并不是将它看成单独的个体，，而是要将其投放到整个社会和历史背景中来审视和认识。从客观角度分析，既要看到水彩画现在取得的成绩，又要分析其存在的不足，使水彩画更加的绚丽夺目。
[Abstract]:Nature is noble and outstanding, it gives the world vitality and vitality, the reproduction of nature should be creative and general. All human creations and inventions come from careful observation and profound understanding of nature. The original ecology of objective things is better used to depict the essence of things and landscapes through subjective expression of objectivity. Watercolor painting combines subjective perception of objective nature with human spirit. Creation is the external display of the artist's inner world, and the style of creation is the tool used by the painter to express his feelings and thoughts. Art embodies emotion, and the expression of emotion is also the display of art. Watercolor unique performance techniques and materials can better capture the natural spirit of the painter, through the scenery lyric, so that more artists can follow the mind of the bold creation. The painter's unique visual angle, color sensitivity, worldview, character, accomplishment, connotation and temperament are closely related to the style of painting, all of which will endow the picture with uniqueness. The main content of this paper is to observe the visual angle of view, to create as the theme, from the composition of watercolor painting, color, emotion and creative consciousness to demonstrate several aspects. The first part is about the origin of watercolor painting and its introduction into China. From the second part, it mainly tries to reflect the beauty in reality from the angle of observation in the creative practice, and better cultivate the ability to conceive the theme and the composition of the picture. The third part mainly discusses from two aspects of creative consciousness and emotional expression. Further research and analysis of the development and deepening of watercolor painting creation, finally, according to the current development process of watercolor painting prospects for the future development of watercolor painting and the way forward. Although the subject is the case of watercolor painting from observation and experience, feeling nature to the picture, but not as a single individual, it should be put into the whole social and historical background to examine and understand. From the objective point of view, we should not only see the achievements of watercolor painting now, but also analyze its shortcomings in order to make watercolor painting more brilliant.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

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