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论宋代文人书画艺术中的入世精神与表达

发布时间:2018-05-02 13:37

  本文选题:北宋 + 文人书画 ; 参考:《东北师范大学》2014年硕士论文


【摘要】:中国美术史上文人艺术以宋代为代表众所周知,他们对品藻的唯一崇尚、对笔墨情趣的执着追求为人们造就了“出世”的深刻印象,在中国传统文化中占有重要成分的“隐逸文化”也与文人思想密不可分。然而通过社会、思想、哲学等社会存在的各方面因素与艺术关系的辩证考量,则发现一向标榜出世的文人艺术与“世”有着密不可分的联系,“国家”观念、世俗文化等各种社会因素无不参杂其中,不仅一向标榜入世的儒家思想对文人艺术有着明显的影响,甚至在提倡出世的道家思想中也找到了对文人艺术入世审美观念的隐性渗透。这与同时作为社会组成部分的创作主体的身份是分不开的,无论创作主体怎样标榜出世,其作品都是对生命轨迹、个体情感的另外一种解读。所以,出世是可能的,而入世则是必然的。北宋的文人看似将审美主题从真实的事物转移到纯粹的笔墨,实则表达了他们发自内心的对生命的释然,“无为”而为、“自然”‘而然、“隐逸”中含蓄情怀才是文人对“存世”、对生命意识的极大肯定和推崇,才是构成文人艺术最本质的思想内容和情感表达。但当前文人入世精神体系影响下的艺术表达却并未在学界引起更多的重视和强调,因此,文人入世的艺术精神与表达的研究则是中国传统艺术研究的延伸和完善。
[Abstract]:In the history of Chinese art, literati art is well known to the Song Dynasty as the representative of the Song Dynasty. Their unique advocation for the products and algae, the persistent pursuit of the interest of the pen and ink have created a profound impression of the "birth". The "seclusion culture" which occupies an important part in Chinese traditional culture is also inseparable from the thought of the literati. The dialectical consideration of all aspects of social existence and the relationship of art finds that there is an inseparable link between the literati art and the world, and the "state" concept, the secular culture and other social factors are all mixed, not only the Confucian thought that has always been marked by the entry into the world has an obvious influence on the art of literati, even in the arts. The Taoist thought that advocates the birth of the world has also found the hidden permeation of the aesthetic concept of the entry of the literati art to the world. This is inseparable from the identity of the creative subject, which is a part of the society at the same time. No matter how the subject of the creation is marked out, its works are the other interpretation of the life track and individual emotion. It is inevitable to enter the world. The literati in the Northern Song Dynasty seem to transfer the aesthetic themes from the real things to the pure ink. In fact, they express their inner feelings of life, "no action", "nature" and "recluse" in the implicit feelings are the literati's "survival", the great affirmation and admiration of life consciousness. It constitutes the most essential ideological content and emotional expression of the art of the literati, but the artistic expression under the influence of the current spiritual system of the literati has not attracted more attention and emphasis in the academic world. Therefore, the study of the artistic spirit and expression of the literati's entry into the world is the extension and perfection of the study of Chinese traditional art.

【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J209.2

【参考文献】

相关期刊论文 前2条

1 邓乔彬;论北宋文人画[J];东南大学学报(哲学社会科学版);2005年02期

2 伊沛霞;宫廷收藏对宫廷绘画的影响:宋徽宗的个案研究[J];故宫博物院院刊;2004年03期



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