崔子范花鸟画形式美浅析

发布时间：2018-05-03 07:56

本文选题：写意花鸟画 + 崔子范先生　；参考：《内蒙古师范大学》2014年硕士论文

【摘要】：中国绘画历史悠久，源远流长，历朝历代都出现了许多著名的画家，正是这些著名的画家把中国绘画艺术的长廊装饰得更加多姿多彩，推动了中国画的不断前进，自明清到近代出现了许多很有建树的写意花鸟画大家。明代林良、吕纪的花鸟画在继承了宋、元花鸟画传统的同时，又把花鸟画向前发展了一大步，，由工笔变成写意；徐渭的大写意泼墨花卉正是由于其坎坷的经历和高深的修养才成为了千古不朽的大作。清代的写意花鸟画在继承了明代绘画风格的同时，不断有新的突破，把写意花鸟画推向了高峰。这一时期的代表人物有八大山人、石涛和“扬州八怪”。近代写意大师吴昌硕，他的写意花鸟画则更具有鲜明的创新精神，使写意花鸟画艺术达到了新的高峰。齐白石在继承了八大山人、吴昌硕的基础上，以他的生活经历为素材，创造了许多优秀的作品，给后人留下了宝贵的遗产。进入新世纪以后，擅长大写意花鸟画的画家数以千计，崔子范先生的绘画作品以强烈的形式感而独树一帜于画坛。本论文从三个方面来研究崔子范先生的写意花鸟画，首先从良好的启蒙教育时期、不画而画的准备时期、半工半读的求学时期、奋发进取的创新时期来分析崔子范先生的从艺道路，了解其艺术风格形成的过程；其次从墨、线、构图、造型、用色等方面来研究崔子范先生写意花鸟画形式美的特色，重点以崔子范先生作品的图式语言特征为例，归纳了其“拙”、“简”、“艳”的艺术特色。最后总结崔子范先生写意花鸟画形式美的启示，对崔子范先生写意花鸟画形式美的研究，给我们今后创作带来的参考价值。
[Abstract]:Chinese painting has a long history and a long history. There have been many famous painters throughout the dynasties. It is these famous painters who decorate the promenade of Chinese painting art in a more colorful way, thus promoting the continuous progress of Chinese painting. Since the Ming and Qing dynasties to modern times, there have been many successful freehand brushwork of flowers and birds. Lin Liang and Lu Ji's flower-and-bird paintings in the Ming Dynasty inherited the tradition of the Song and Yuan flower-and-bird paintings, and at the same time developed the flower-and-bird paintings a big step forward, from meticulous brushwork to freehand brushwork. Xu Wei's freehand brushwork of splash-ink flowers is because of its rough experience and deep cultivation to become a monumental masterpiece. The freehand brushwork of the Qing Dynasty inherits the painting style of the Ming Dynasty, and at the same time, there are new breakthroughs, which push the freehand brushwork to the peak. The representative figures of this period are eight mountain people, Shi Tao and Yangzhou eight strange. The modern freehand brushwork master Wu Changshuo, his freehand brushwork flowers and birds painting has the bright innovation spirit, made the freehand brushwork flower and bird painting art has reached the new peak. On the basis of inheriting the eight mountain people, Wu Changshuo, Qi Baishi has created many excellent works and left a precious legacy to the posterity with his life experience as the material. After entering the new century, there are thousands of painters who are good at freehand brushwork of flowers and birds, and Mr. Cui Zifan's paintings are unique in the world of painting with a strong sense of form. This paper studies Mr. Cui Zifan's freehand brushwork of flower-and-bird painting from three aspects: first, the period of good enlightenment education, the period of preparation for painting instead of painting, and the period of studying part-time. The innovative period of enterprising to analyze Mr. Cui Zifan's art road and understand the process of its artistic style formation; secondly, from the aspects of ink, line, composition, modeling, color and so on, to study the characteristics of the formal beauty of Mr. Cui Zifan's freehand flower-and-bird painting. Taking the schematic language features of Cui Zifan's works as an example, the artistic features of "clumsy", "Jane" and "Yan" are summarized. Finally, it summarizes the inspiration of the formal beauty of Mr. Cui Zifan's freehand brushwork of flower-and-bird painting, and the research on the formal beauty of Mr. Cui Zifan's freehand brushwork of flower-and-bird painting, which will bring us the reference value in the future creation.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】