苏轼绘画理论三题研究

发布时间：2018-05-03 17:52

本文选题：苏轼 + 绘画主体论　；参考：《江苏师范大学》2017年硕士论文

【摘要】：苏轼的绘画理论内容丰富多彩,思想博大精深,主要包括绘画创作论、批评论、主体论、功能论、审美论等,具有系统性和深刻性的特点。绘画主体论、绘画功能论和绘画审美论是苏轼画论中极其重要且尚未系统研究的内容。苏轼的这些理论主要通过一系列命题,如“有道有艺”“务学而好问”“画以适吾意”“游戏得自在”“常理不当,举废之”“妙在画外”等而表现出来。本文所论主要包括三方面内容:第一部分探讨苏轼的绘画主体论。主要分析了“不可荣辱”“寓意于物,不可留意于物”“有道有艺”“务学而好问”等命题。分析了画家的人品道德对于绘画创作之重要以及强调画家必须具有高超的绘画素养、创作技能等问题。阐释了苏轼对于绘画主体论的基本观点。第二部分研究苏轼的绘画功能论。通过分析“画以适吾意”“游戏得自在”“悦人之耳目口鼻”“悦人而不移人”等命题,阐释绘画的审美功能。从对帝王的劝诫规鉴作用、对臣子的彰扬激励作用和对百姓的引导教化作用三个方面论述苏轼对于绘画教化功能的基本观点。第三部分研究苏轼的绘画审美论。绘画审美论虽然与绘画创作论和批评论相关,但又有独立之意义。通过对“形理两全”“传神”“写意”和“妙在画外”等一系列命题的分析,探寻苏轼对于形与理、写形与传神、画外妙等重大理论问题的看法,从中发掘苏轼对于绘画的审美理想和审美要求。
[Abstract]:Su Shi's painting theory is rich in content and profound in thought, including painting creation theory, criticism theory, subject theory, function theory, aesthetic theory and so on, with systematic and profound characteristics. Painting subject theory, painting function theory and painting aesthetic theory are extremely important and not systematically studied in Su Shi's painting theory. These theories of Su Shi are mainly expressed through a series of propositions, such as "youdao has art", "learning affairs" and "asking", "painting is suitable for me", "playing freely", "common sense is improper", "holding out", "wonderful is beyond painting" and so on. This article mainly includes three aspects: the first part discusses Su Shi's painting subject theory. This paper mainly analyzes the propositions of "no honor and disgrace", "implying in things, not paying attention to things", "youdao has art" and "learning is easy to ask" and so on. This paper analyzes the importance of the artist's moral character to the painting creation and emphasizes that the painter must have superb painting accomplishment and creative skills. Explains Su Shi's basic viewpoint on the subject of painting. The second part studies Su Shi's painting function theory. The aesthetic function of painting is explained by analyzing such propositions as "painting is suitable for me", "game is comfortable", "pleasing ears and eyes", "pleasing people without moving people" and so on. This paper discusses the basic viewpoints of Su Shi on the function of drawing education from three aspects: the admonition to emperors, the encouragement to his subjects and the guidance and enlightenment to the common people. The third part studies Su Shi's aesthetic theory of painting. Although painting aesthetic theory is related to painting creation theory and criticism, it has independent significance. Based on the analysis of a series of propositions, such as "form and principle", "vivid brushwork" and "wonderful in painting", Su Shi's views on the important theoretical issues such as form and theory, writing and evoking, picturesque, and so on, are explored. Explore Su Shi's aesthetic ideal and aesthetic requirements for painting.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J20

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