建国后写意人物画中山水画元素的运用

发布时间：2018-05-04 06:04

本文选题：写意人物画 + 传统山水画　；参考：《曲阜师范大学》2016年硕士论文

【摘要】：人物画起源于原始社会时期的岩画,其历史悠久、源远流长,堪称一笔不朽的艺术财富。历史上对于写意人物画的研究资料较多,而对于写意人物画中山水画元素应用的研究资料较少,对写意人物画中山水画元素的应用的系统研究存在不足,并且未有用论文和作品相结合的方式来分析的。本文主要针对这方面的缺陷展开研究。首先,文章对建国后山水画元素在写意人物画中运用的背景及成因进行综合的概述。其次,对建国后山水画元素在写意人物画中运用进行客观的分析,主要从新中国“十七年”、“文革十年”、“新时期”三个阶段写意人物画,对写意人物画中山水画的皴法、块面的韵味的实际运用进行分析。文章最后结合我的三幅渔民作品,对山水画元素在人物画中的运用进一步剖析。本文意在提示我们:在面对传统写意人物画的技法时,传承传统,大胆创新,发挥自己的主观能动作用,不做古法的奴隶,不断开拓创新,寻找与时代相适应的笔墨表现形式,把中国山水画中的精华合理地运用到写意人物画中,使写意人物画既体现传统技法的精华,又能保持时代的精神。对于建国后写意人物画的发展,当代艺术家应在前人的基础上,以更加开放的姿态吸收传统中优秀的绘画技巧,挖掘生活中可供创新的素材和资源,创作出更具时代风采的绘画作品,展示“新时期”写意人物画新的艺术风貌。
[Abstract]:Figure painting originated from the primitive society period of rock painting, its long history, a long history, can be called an immortal art wealth. In history, there are more research materials on freehand figure painting, but less on the application of landscape painting elements in freehand brushwork painting, so there are some deficiencies in the systematic research on the application of landscape painting elements in freehand brushwork painting. And has not used the thesis and the work the way to analyze. This paper focuses on the defects in this area. First of all, the paper summarizes the background and cause of formation of landscape painting elements in freehand figure painting after the founding of the people's Republic of China. Secondly, it analyzes objectively the application of landscape painting elements in freehand figure painting after the founding of the people's Republic of China, mainly from the three stages of "17 years", "10 years of Cultural Revolution", "New period" of freehand brushwork, and the texturing method of landscape painting in freehand brushwork painting, mainly from the three stages of "17 years" of New China, "10 years of Cultural Revolution", "New period". The practical application of the charm of the block surface is analyzed. Finally, combined with my three fishermen 'works, the application of landscape painting elements in figure painting is further analyzed. The purpose of this paper is to remind us that in the face of the techniques of traditional freehand brushwork painting, we should carry on tradition, innovate boldly, exert our subjective initiative, do not become slaves of the ancient method, continue to open up and innovate, and look for the expression form of pen and ink in accordance with the times. The essence of Chinese landscape painting can be reasonably applied to freehand figure painting, so that it can not only embody the essence of traditional techniques, but also maintain the spirit of the times. For the development of freehand brushwork painting after the founding of the people's Republic of China, contemporary artists should absorb the excellent painting skills in the tradition with a more open attitude on the basis of their predecessors, and tap the materials and resources available for innovation in life. Create a more contemporary style of painting, showing the new style of freehand figure painting in the new era.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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