从中西绘画融合理念中思考我的油画创作

发布时间：2018-05-05 00:08

本文选题：意象 + 笔墨　；参考：《陕西师范大学》2013年硕士论文

【摘要】：艺术是情感的结晶。绘画作为艺术的一种表达方式,亦是一种隐晦的情感表达语言。绘画艺术家从自然物象中获得灵感,创作与之接近的意象性作品由此领悟自然之玄奥。在创作性体验过程中,中国画的主流强调艺术家主观内在精神的表现,执著于形象的内在意蕴,化景物为情思,神似胜于形似；西方绘画的主流更多的则是强调对客观形象的模仿与再现,讲究比例、结构和形体的质感,在注重对象精神、性格刻画的同时大多注重“形似”。绘画艺术发展至近现代,中西艺术家都在极力探索关于中西绘画的交集,力图改革原有的传统绘画以适应当代大众审美的眼光：极具现代气息的中国绘画、充满中国水墨与书法逸趣的意象化油画作品等成为了现代艺术家的新宠,当然,这也是时代发展的必然。全文通篇以中西艺术的融合为主线,在研究中西绘画融合的表达方式中,以中西艺术各自的艺术精神为论证基点,以艺术家们的代表作品为例,从中西绘画融合的必然性进行探析,中西绘画融合的理念引发了我对于自己油画创作方向的思考：将中国画的用笔、西画用色和技法以及油画肌理所赋予画面的艺术感染力更好地运用在油画创作中不失为一条很好的创作路子。
[Abstract]:Art is the crystallization of emotion. As an expression of art, painting is also a subtle expression of emotion. Painting artists get inspiration from natural objects and create similar imagery works to understand the mystery of nature. In the process of creative experience, the mainstream of Chinese painting emphasizes the expression of the artist's subjective inner spirit, insists on the intrinsic meaning of the image, and turns the scene into the feeling, which is superior to the likeness of form. The mainstream of western painting is to emphasize the imitation and reappearance of the objective image, pay attention to the proportion, the texture of the structure and the body, pay attention to the spirit of the object and the portrayal of the character at the same time, pay more attention to the "likeness". With the development of painting art to the modern times, Chinese and Western artists are trying their best to explore the intersection of Chinese and Western painting, and try to reform the original traditional painting in order to adapt to the aesthetic vision of the contemporary public: the Chinese painting, which has a very modern flavor, Image oil painting, full of Chinese ink and calligraphy, has become the new favorite of modern artists, of course, it is the necessity of the development of the times. The whole article takes the fusion of Chinese and western art as the main line, in studying the expression of the fusion of Chinese and western painting, taking the artistic spirit of Chinese and Western art as the demonstration base, and taking the representative works of artists as an example. From the point of view of the inevitability of Chinese and Western painting fusion, the idea of Chinese and Western painting amalgamation has caused me to think about the direction of my own oil painting creation: using the pen of Chinese painting, Western painting with color and techniques as well as oil painting texture to give the artistic appeal of a better application in oil painting creation is a good way to create.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【共引文献】