林风眠和田黎明彩墨人物画绘画艺术比较

发布时间：2018-05-05 08:36

本文选题：色彩语言 + 彩墨　；参考：《云南艺术学院》2013年硕士论文

【摘要】：本文主要进行林风眠和田黎明两位画家彩墨人物画绘画艺术的比较,并着重于色彩语言的比较,首先在第一章和第二章中对林风眠和田黎明艺术探索的经历进行梳理,以及归纳两位画家不同的分期的时代背景和自身艺术经历,同时在画家不同的分期归纳出重要的代表作品。其次在第三章和第四章详细分析林风眠和田黎明彩墨人物画的色彩语言,其中深入解析画家色彩语言的在各个时代文化语境中的状态及其出处,进一步从绘画本体上对两位画家色彩语言特征及作品进行深入的归纳和分析。最后在第五章以总结性的方式对林风眠和田黎明彩墨人物画的色彩语言对比性的分析,解构两位画家在历史发展文化语境中的色彩语言,比较两者在拥有强大文化背景的中国画之中如何对待墨色的关系,总结追求纯化的色彩语言是他们的终极理想。
[Abstract]:This article mainly carries on the comparison between Lin Fengmian and Tian Liming painters, and focuses on the comparison of color language. Firstly, in the first and second chapters, the author sorts out Lin Fengmian's and Tian Liming's artistic exploration experience. At the same time, it sums up the background of the two painters' different stages and their own artistic experiences, at the same time, sums up the important representative works in the different stages of the painters. Secondly, in the third and fourth chapters, the color language of Lin Fengmian and Tian Liming's color ink figure painting is analyzed in detail, in which the state and origin of the painter's color language in the cultural context of each era are deeply analyzed. Further from the painting Noumenon of the two painters color language features and works in-depth induction and analysis. Finally, in the fifth chapter, the comparative analysis of the color language of Lin Fengmian and Tian Liming's color ink figure painting is carried out in a summative way to deconstruct the color language of the two painters in the context of historical development and culture. It is their ultimate ideal to compare the relationship between them in Chinese painting with strong cultural background and summarize the pursuit of purified color language.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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