黄永玉绘画美学思想研究

发布时间：2018-05-06 09:00

本文选题：黄永玉绘画美学思想 + 生态美　；参考：《西南大学》2015年硕士论文

【摘要】：本文以黄永玉绘画创作为基点,较为深入探讨了其绘画美学思想。论文首先以黄永玉绘画美学思想形成的文化背景为开端,从湘西少数民族生命伦理观的角度梳理了黄永玉绘画创作中的生态美,从神秘的巫楚文化角度梳理了黄永玉绘画创作中的奇幻美,从湘西民间美术角度梳理了黄永玉绘画创作中的拙稚美,从中国文人的精神传统角度梳理了黄永玉绘画创作中的意趣美。其间穿插了黄永玉具有代表性的绘画、散文作品,并进行了具体分析与阐释,找寻出他的绘画美学特征。其次,对黄永玉美学思想形成的文化背景,人生经历等方面进行了较为深入的解析,以立体多维的视角研究其绘画美学思想。论文分为五部分：第一,探讨黄永玉绘画美学思想文化背景。第二,探讨生态美即是黄永玉绘画的生态意识、价值追求、价值表达的主要内容。生态美又通过无意识的集体记忆进入到黄永玉绘画美学思想的关联性。第三,从黄永玉绘画中表现出神秘的自然物象、凝重的天空意象、单调的山石物象、荷花的倾述与表达所传达出的文化内涵,分析出他绘画艺术的奇幻美特征。第四,通过湘西民间美术与黄永玉绘画的拙稚风格密切关系分析,解读黄永玉绘画的拙稚之美。第五,通过黄永玉绘画代表作中的诗文、绘画表象特征,分析黄永玉绘画的世俗化、人文化、调侃化、个性化的特征,解读黄永玉绘画的意趣之美。通过以上五部分,整理提炼黄永玉的绘画美学思想特色,为欣赏黄永玉绘画作品,研究黄永玉绘画艺术提供一种理论支撑。
[Abstract]:This article, based on Huang Yongyu's painting creation, deeply discusses his painting aesthetic thought. The thesis begins with the cultural background of Huang Yongyu's aesthetic thought of painting, combs the ecological beauty in the painting creation of Huang Yongyu from the viewpoint of the life ethics of the minority nationalities in Xiangxi. From the perspective of mysterious witchcraft culture, this paper combs the fantasy beauty in Huang Yongyu's painting creation, combs the childish beauty in the painting creation of Huang Yongyu from the angle of folk art in western Hunan. From the angle of Chinese literati's spiritual tradition, this paper combs the beauty of interest in Huang Yongyu's painting creation. In the meantime, Huang Yongyu's representative paintings and prose works are interspersed, and analyzed and explained in detail to find out his aesthetic characteristics. Secondly, the cultural background and life experience of Huang Yongyu's aesthetic thought are deeply analyzed, and his painting aesthetic thought is studied from the perspective of three-dimensional and multidimensional. The thesis is divided into five parts: the first part discusses the background of Huang Yongyu's painting aesthetics. Second, exploring ecological beauty is the main content of Huang Yongyu's ecological consciousness, value pursuit and value expression. Ecological beauty enters into the relevance of Huang Yongyu's painting aesthetic thought through unconscious collective memory. Thirdly, it shows the mysterious natural image, the dignified sky image, the monotonous mountain stone object image, and the cultural connotation conveyed by the lotus's inclination and expression in Huang Yongyu's painting, and analyzes the hallucinable beauty characteristics of his painting art. Fourthly, by analyzing the close relationship between Xiangxi folk art and Huang Yongyu's childish style, this paper interprets the beauty of Huang Yongyu's painting. Fifth, through the Huang Yongyu painting masterpiece poetry, the painting appearance characteristic, analyzes the Huang Yongyu painting secularization, the human culture, the ridicule, the individuality characteristic, unscrambles the Huang Yongyu painting interest beauty. Through the above five parts, collate and refine Huang Yongyu's aesthetic characteristics of painting, and provide a theoretical support for the appreciation of Huang Yongyu painting works and the study of Huang Yongyu painting art.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J201

【参考文献】