花山岩画艺术发生学研究

发布时间：2018-05-07 06:23

本文选题：花山岩画 + 原始艺术　；参考：《广西师范大学》2017年硕士论文

【摘要】：左江流域陡峭的崖壁上,壮族先民绘制了人物、动物、器物等众多形象,反映了壮族先民的生存状态、生存方式和原始的精神信仰系统,展现了原始艺术质朴、奔放的风格和原始、野性的生命张力。其中以宁明县花山岩画为代表,花山岩画规模宏大、图像最多、种类最多、分布最密、保存最完整,是左江流域岩画群的代表,也是我国迄今发现的规模最大的岩画,为世界罕见。本文的逻辑起点在于花山岩画的原始艺术定位,围绕其艺术性质阐发花山岩画区别于现代艺术的原始艺术特点、形式构成特点、造型特点,以及对花山岩画发生的自然环境、族群身份、文化背景、原始思维、原始审美意识的探究。本文一共分为六部分,其中第一部分为绪论对研究的背景及研究源起、目的意义做了论述。第二部分探讨的是花山岩画的原始艺术性质。花山岩画地处偏远的岭南地区,形成了左江流域相对闭塞的发展状态。这种特殊的“时差”导致左江流域还处在相对“刀耕火种”的原始艺术时期,其艺术的形式具有艺术前发展阶段粗糙、稚嫩、自然奔放的特征和前艺术性质。花山岩画作为艺术转型时期的原始艺术,其创作的动机、目的、审美观念及标准有别于今天的艺术体系,有着自身的艺术因子以及一套思维方式和表现形式。同时,有关骆越部族的史料记载、大石铲遗址、铜鼓的考古发现与花山岩画之间做了相互印证:花山岩画与骆越文化、铜鼓文化有着必然的联系,是稻作文明的产物。第三部分集中讨论花山岩画的艺术构成及特征。花山岩画多达上千个人物、畜类、物器的图像均采用粗线条、轮廓式的涂抹方法绘制,用色采用赭红色,千篇一律的构图,通过不断重复同一的、统一的动作、重复的仪式来祈求神灵庇佑。同时,花山岩画具象与抽象相结合的造影方式、重复的造型方法使得“蹲踞式人型”作为一种民族的原型保留在骆越人的记忆中,具有原型意义。最后,花山岩画包含着浓郁的文化意味。花山岩画所反映的是原始宗教仪式的场景。更展现了骆越人广阔的社会生活,记录了骆越人独特的民族风貌。第四部分探讨花山岩画艺术发生的原始思维及心理基因。花山岩画的发生是以骆越人原始思维方式为基础,融合了骆越人的原始信仰以及影子与灵魂崇拜、图腾崇拜与自然崇拜、祖先崇拜,其中饱含了骆越人审美意识的萌发和对美的早期认识。花山岩画以人为绘制重点,以硕大高耸的人物形象显示骆越先民的主体力量,以人为本的审美意识的萌发,对于再现了一个饱满壮实、充满生机和活力的骆越先民的形象具有重要的意义。同时,整个岩画采用混沌统一的表现方式,对于那些能够代表人物身份的器物、饰品等进行了比人的面部表情、五官等等更为细致的、突出的描绘,放大能够体现主体特征的方面,这种简化和放大相结合、混沌统一的方式突出显示了骆越先民辩证审美意识的原始感悟。第五部分,探究花山岩画的价值意义。仅仅站在今人的视角,用“他者”的眼光来关照原始艺术显然是不足和不够的。花山岩画是以整个骆越文化的重要组成部分,民俗、民族文化意义不言而喻,被世界公认为壮族先民的宝贵艺术作品和文化遗产,理所当然地具有文化遗产保护价值。此外,花山岩画推动广西当代文学艺术发展,它对民族民间文学创作母题、表达方式等等都产生了深刻的影响,作为学术会议的号召力量,其形成的聚力和动员意义也不容小觑,直接影响着“文学桂军”的崛起。第六部分为结语。
[Abstract]:On the steep cliff wall of the Zuo River Basin, the ancestors of the Zhuang nationality drew many images, such as characters, animals, and utensils, reflecting the survival state of the ancestors of the Zhuang nationality, the way of existence and the original spiritual belief system, showing the primitive art, unrestrained style and primitive style, and the wild life force. Among them, Huashan rock painting in Ningming County, represented by Huashan rock painting, was the representative of Huashan rock painting. It is the representative of the rock painting group in the left River Basin, which is the largest rock painting in the left River Basin. It is also rare in the world. The logical starting point of this article lies in the original art orientation of Huashan rock painting, and elucidates the original art of Huashan rock painting, which is different from the modern art. The characteristics, form characteristics, modeling characteristics, and the natural environment, ethnic identity, cultural background, primitive thinking, and original aesthetic consciousness of the flower mountain rock painting. This article is divided into six parts. The first part is the introduction to the background of the study, the origin of the research, the purpose and significance. The second part discusses the flower mountain rock. The original artistic nature of the painting. Huashan rock painting is located in the remote south of the Five Ridges area, forming a relatively closed development state of the left River Basin. This special "time difference" leads to the left River Basin still in the original art period of relative "slash and burn", and its artistic form has the characteristics of rough, tender and natural and unrestrained in the stage of art development. As the original art of art, Huashan rock painting, as the original art in the period of the transformation of art, is different from today's art system, with its motive, purpose, aesthetic concept and standard. It has its own artistic factors and a set of thinking and expression forms. At the same time, the historical records of the Locke and the Yue and the archaeological discoveries and flowers of the bronze drum The paintings of mountain and rock have been confirmed by each other: Huashan rock painting has an inevitable connection with the culture of Luo Yue and the culture of the bronze drum. The third part focuses on the artistic composition and characteristics of Huashan rock painting. With the ochre red and the uniform composition, by repeating the same, unified action and repeated ceremonies to pray for God's blessing. At the same time, the flower mountain rock paintings have a combination of images and abstractions, and the repetition of the modeling method makes the "squatting type" as a national prototype retained in the memory of the Luo Yue people and has a prototype meaning. Finally, Huashan rock painting contains a strong cultural meaning. The flower mountain rock painting reflects the scene of the primitive religious ceremony. It also shows the vast social life of the Luo Yue people and records the unique national features of the Luo Yue people. The fourth part discusses the primitive thinking and psychological genes of the art of Huashan rock painting. The occurrence of Huashan rock painting is the Luo Yue people. Based on the original thinking mode, the original belief, the shadow and the soul worship, the totem worship and the nature worship, and the ancestor worship are filled with the germination of the aesthetic consciousness and the early understanding of the beauty. The germination of the people's aesthetic consciousness is of great significance to the reproduction of the image of the ancestors who are full of vitality, full of vitality and vitality. At the same time, the whole rock painting adopts a chaotic and unified way of expression, which is more detailed for the objects which can represent the identity of the characters, the ornaments and so on. In the fifth part, the value meaning of Huashan rock painting is explored. It is not enough. Huashan rock painting is an important part of the whole culture of Luo Yue, folk custom, national cultural significance is self-evident, the world recognized as the precious art works and cultural heritage of the ancestors of the Zhuang people, and of course, it has the protection value of cultural heritage. In addition, the flower mountain and rock paintings promote the development of contemporary literature and art in Guangxi, it is to the people. The theme of the folk literary creation, the way of expression and so on have had a profound influence. As the call force of the academic conference, the cohesion and mobilizing significance of its formation can not be underestimated, which directly affects the rise of the "literary cinnamon army". The sixth part is the conclusion.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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