汉字设计中的绘画特征与表达方式研究

发布时间：2018-05-09 11:48

本文选题：汉字设计 + 绘画表达　；参考：《首都师范大学》2014年硕士论文

【摘要】：《汉字设计中的绘画特征与表达方式研究》是从视觉传达的角度阐释汉字中设计中的绘画性特征与表达方式。目的在于探索汉字设计语言的新形势,进一步加强汉字信息的内在表达。本文通过对书法篆刻艺术中提出的“以书如画”“书画同源”挖掘汉字绘画的特性,以及代代相传、喜闻乐见民间汉字艺术形式从中汲取养分,从书法、绘画、当代艺术中寻找灵感,再到当今的设计师如何将绘画意识融入汉字设计进行分析整合。绘画与设计语言的融合,势必会给汉字的创新性、必要性、时代性、注入新的活力。本文从第三章开始着重阐释汉字设计中的绘画形式。汉字设计融入绘画的手法增添了汉字阅读的的趣味性、情感性、可读性,提升了汉字的表现性、艺术性、认知性与形式感。利用汉字的三美“形美以感目,音美以感耳,意美以感心,”来建构视觉画面。以形表意,见形见意,形意相融,最终以意传神提升汉字设计的精神性与内涵性,传递作者的思想感情,与观者产生共鸣。从第三章第三节开始深层次挖掘字与画的关联性。如山东潍坊的木板年画《水浒传》与清代“寿”“咏”瓷盘,在“字”之外或之中加入绘画意识,出现了字中有画,画中有字,字画相生的艺术形式。本章最后一节,以新的观念来挖掘汉字表达与画面构成的关系,打破空间时间地域,以新的视觉,突破常规,把中华文化的概念注入汉字设计的范畴,最大的限度的实现汉字的跨界。最后,通过我的设计实践,利用绘画与设计语言的融合,丰富了汉字设计创意的内容,强化了汉字的视觉形式,最终建构出字中有画,画中有字,字画一体,亦字亦画视觉新形式,进一步解释汉字设计为什么需要绘画意识。
[Abstract]:The study of painting Features and expression modes in Chinese character Design is to explain the characteristics and expression of painting in Chinese character design from the angle of visual communication. The purpose of this paper is to explore the new situation of Chinese character design language and strengthen the inner expression of Chinese character information. This paper explores the characteristics of Chinese character painting in the art of calligraphy and seal cutting, such as "calligraphy and painting homology", and inherits from generation to generation, enjoys drawing nutrients from folk Chinese character art forms, and drawing from calligraphy and painting. Looking for inspiration in contemporary art, then how to integrate painting consciousness into Chinese character design. The combination of painting and design language is bound to inject new vitality into the innovation, necessity and epoch of Chinese characters. This article starts from the third chapter to explain the Chinese character design in the drawing form. The combination of Chinese character design and painting increases the interest, emotion, readability of Chinese character reading, and promotes the expressiveness, artistry, cognition and form of Chinese characters. Using the three-beauty of Chinese characters, form beauty to sense eye, sound beauty to sense ear, meaning beauty to feeling heart, "to construct visual picture." In the end, the spirit and intension of Chinese character design can be enhanced by the combination of form, form, form and meaning, and the author's thoughts and feelings can be transmitted and resonated with the viewer. From the third chapter of the third section, the deep excavation of the relationship between the word and painting. For example, in Weifang, Shandong Province, the wooden plank paintings "Water margin" and the Qing Dynasty "Shou" Chong "porcelain plate, in addition to" characters "or in the addition of painting consciousness, appeared in the character of painting, calligraphy and painting of the art form. In the last section of this chapter, we excavate the relationship between the expression of Chinese characters and the composition of the picture with new ideas, break the space, time and region, break through the routine with new vision, and inject the concept of Chinese culture into the category of Chinese character design. To maximize the realization of the cross-border of Chinese characters. Finally, through my design practice, the combination of painting and design language enriches the creative content of Chinese character design, strengthens the visual form of Chinese character, and finally constructs the character with painting, painting with character, calligraphy with painting. Also draw new visual form, further explain why Chinese character design need painting consciousness.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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