以黄山画派为例探析山水画的禅境表现

发布时间：2018-05-09 13:56

本文选题：黄山画派 + 禅宗　；参考：《曲阜师范大学》2014年硕士论文

【摘要】：中国山水画作为一种有着悠久历史的传统独立画科，一直盛行于隋唐至明清各朝代。它见证了古代中国广博深沉的精神内涵和特有的诗意情怀，反映了在特定历史时期的别样中华文化。作为具有东方文化独特气质的禅宗思想，时常伴在山水画左右，山水画面中不经意呈现的禅境意象，，总能带给人们内心的安宁和精神的愉悦。处在清初“摹古、复古”高潮时期的黄山画派画家们，于自然造化中寻求个人独特情感的表达，用震撼性灵的绘画语言表现现实生活中的真实自我，黄山的千峰万壑显现在他们的眼前、手中、心底。他们在绘画风格上力求简淡、空静，他们在自然天地间无拘束的感悟人生，体悟生命之本，用手中的画笔动情的描绘心中特有的禅境黄山。本篇论文正是以黄山画派为根基，从禅宗思想中的禅境表现方向出发，进而系统且深入的研究探索山水画的禅境表现课题。以期在前人的绘画语言和技法基础之上，找寻启迪本人绘画前进方向的灵感和方法。整篇论文蕴山水于中国禅宗文化之内，用禅宗思想的精髓贯通山水绘画的本源，以理论画，举画写情，从大量《黄山图》中揭示中国山水画家的文人情怀和思想沉淀，并为现今喧嚣俗世的画家照亮未来前进的艺术方向。虽然全文没有大篇幅的论述“黄山画派中禅境表现对我绘画人生的启迪”，但在文章的各章节中却时刻揭示着启迪的方向，字里行间流露着用心绘画的真谛：怀着一颗宁静淡泊的禅心，以天地自然为师，回归最真实的本我。论文主体结构由四大板块构成：第一部分是梳理禅及禅宗的相关概况，并将禅宗与中国传统山水画相结合，概述历代山水画中的禅境表现现象。点明论文论述方向，为全文的展开作好理论性铺垫。第二部分是解说黄山画派、典型自然物象特征，及其基本绘画风格和艺术表现形式。将黄山画派蕴于禅宗思想之内，从三个不同方面表明黄山画派与禅宗思想密切相关：1.冷寂、清逸的黄山画风；2.黄山特有的灵奇形象；3.独特的禅意情怀。第三部分融进主题，分别从题材符号、笔墨抒写、空间营造三方面论述黄山画派中的禅境表现，穿插分析弘仁、梅清、石涛绘画作品中的禅境语言，通过探讨分析，具体清晰的展现禅境与黄山千丝万缕、不可分割的联系。第四部分作为本篇论文的结尾，续写黄山画派的禅境表现对我绘画和人生的启迪、指导意义。
[Abstract]:As a traditional and independent painting family with a long history, Chinese landscape painting has been prevailing from Sui, Tang to Ming and Qing dynasties. It witnessed the extensive spiritual connotation and unique poetic feelings of ancient China, and reflected the different Chinese culture in a specific historical period. As a Zen thought with the unique temperament of oriental culture, it is often accompanied by landscape painting. The image of Zen which is inadvertently presented in landscape painting can always bring people peace of mind and spiritual pleasure. The Huangshan painters, who were at the climax of "copying ancient times and restoring ancient times" in the early Qing Dynasty, sought the expression of individual unique emotion in the process of natural creation, and used the shocking painting language to express the true self in real life. The thousand peaks of Huangshan appear in front of their eyes, in their hands, in the bottom of their hearts. They strive for simplicity in painting style, empty quiet, they in the natural heaven and earth unfettered sense of life, understand the root of life, with the hand of the painting brush emotional description of the unique Zen heart Huangshan. This paper is based on Huangshan painting School, from the Zen thought of Zen performance direction, and then a systematic and in-depth study of landscape painting Zen performance. On the basis of the painting language and techniques of predecessors, this paper tries to find the inspiration and method to enlighten the direction of painting. The whole thesis contains mountains and rivers in Chinese Zen culture, using the essence of Zen thought to penetrate the origin of landscape painting, and to reveal the literati feelings and thoughts of Chinese landscape painters from a large number of "Huangshan Pictures" by theoretical painting and painting writing. And illuminate the art direction of the future for today's noisy and worldly painters. Although the full text does not have a great deal of discussion, "the expression of Zen in Huangshan School of painting enlightens me in life", but in each chapter of the article, it reveals the direction of enlightenment at all times. Between the lines are the true meaning of heart painting: with a quiet and indifferent Zen mind, the nature of heaven and earth as a teacher, return to the most real self. The main structure of the thesis is composed of four major plates: the first part is to sort out the Zen and Zen Buddhism related general situation, and the combination of Zen and traditional Chinese landscape painting, summarize the performance of Zen landscape painting in the past dynasties. Point out the direction of the thesis, and lay a good theoretical foundation for the development of the full text. The second part is the explanation of Huangshan painting School, the characteristics of typical natural objects, and its basic painting style and artistic expression. Huangshan painting school is embedded in Zen thought, and it is shown from three different aspects that Huangshan painting school is closely related to Zen thought: 1. Cold silence, Qingyi Huangshan painting style 2. Huangshan unique Lingqi image 3. Unique Zen feelings. The third part of the theme, respectively from the theme symbols, ink and ink expression, space construction three aspects of Huangshan painting school Zen performance, interspersed analysis of Hongren, Meiqing, Shi Tao painting works of Zen language, through discussion and analysis, Concrete and clear show Zen and Huangshan inextricably linked. The fourth part as the end of this paper, continue to write Huangshan School Zen performance to my painting and life enlightenment, guiding significance.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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